The Schizophonic Archive: Schizo-Phone

The Schizophonic Archive is comprised of three interrelated projects exploring recorded sound, residual media, and archives.

Stairwell: Lina Dib with Navid Navab

Schizo-Phone: Craig Campbell with Katie Van Winkle, Julián Etienne, Juan Pablo González, Vasilina Orlova, Nora Tyeklar, Tamara Becerra Valdez and Hallie Boas

Radio Sets: Tom Miller with David Goren

 

“Modern memory is, above all, archival. It relies entirely on the materiality of the trace…” Pierre Nora

Schizophonia, def. The separation of sounds from their sources

The Schizophonic Archives highlight the roles machines play in making the ephemeral tangible and repeatable. Within the Bureau of Memories you will find a number of listening stations marked with the Schizophonic Archives icon:

At these stations you can listen through radios, telephones, and sensors to transient fragments culled from a vast ocean of ethnographic and other sound archives. There are three components to the Schizophonic Archive:

1. Machines for Transforming Time into Matter: As you enter and exit the gallery space via the main stairwell, your movements will trigger sounds of recently obsolete inscription devices that might sound familiar. Each passage up or down the staircase produces a different combination of sounds.
2. The Schizo-Phone, a specially reinvented telephone receiver, allows you to call up archival sound fragments from deep ethnographic archives by dialing the appropriate number to listen in on the past.

3. The antique radio sets placed at intervals throughout the gallery continually broadcast fragments and remixes of field recordings, decaying wax cylinders, and short-wave propaganda broadcasts.

The accompanying guidebooks include information, images, and enigmas related to the polyphonic traces of voices, machines, and static flickering across the soundscape of the Bureau of Memories.

 

We would like to recognize Conaculta’s Fonoteca Nacional for permission to use materials from their archive.

Telephones, sound

All rights reserved

Media Files

Contributions

Artist: Craig Campbell

[Bio c. 2017] Craig Campbell is Associate Professor of Anthropology at the University of Texas, Austin. He received his PhD in Sociology (Theory and Culture) from the University of Alberta in 2009. He is actively involved in producing works that span the range of expository writing, art exhibition, and curation. These function as companion works to a thematic interest in archives, photography, documents, and the anxious territory of actuality. Craig Campbell’s ethnographic, historical, and regional interests include: Siberia, Central Siberia, Indigenous Siberians, Evenki, Evenkiia, Reindeer hunting and herding, Travel and mobility, Socialist colonialism, early forms of Sovietization, and the circumpolar...

Artists' Statements

Projects

The Bureau of Memories: Archives and Ephemera: Washington D.C. - 2014

The Bureau of Memories: Archives and Ephemera is a thematic reflection on the archive and its discontents. Washington’s identity as the seat of American political power is amplified through its role as the locus of its own memorialization. Where there is history, there is haunting. By drawing on the archive’s unnerving, uncanny, and ephemeral specters, this exhibition is an effort to re-imagine and reposition archives as sites which not only have the capacity to produce and contest historical memory, but also generate significant gaps and blind spots.