Anonymous, 1796.

7 items, including "To the Reader" poem.

Mix of religious and moral themes, political satire.

Anonymous, ca. 1780.

15 items.

Approximately half Latin poetry + four Shenstone poems and one tribute to Shenstone.

Shenstonian pastoral; university poetry.

Mrs. Ogle, ca. 1747.

32 items.

Sequence of names and hands suggests it was originally a book of 24 poems compiled by Mrs. Ogle as a gift, then the recipient added 8 items, and a later hand contributed a few additions.

Lighthearted poems about love; some satire of manners, marriage.

Anonymous, ca. 1770s.

19 items.

Unbound booklet with some copy errors suggesting this may have been a first copying of materials for a later collection.

Thematic focus on contentment, lack of ambition, choice of retirement and friendship over wealth and power.

Anonymous, late 1720s.

22 items.

Satirical (including an excerpt from Gulliver's Travels) and many poems on domestic animals. Includes references to Irish affairs. 

Anonymous, ca. 1760.

Unbound.

103 items.

Broad range of subjects organized thematically (e.g. divine poems, hymns, drinking themes, court characters, etc.) 

Stephen Barrett, 1770-1794.

Gift from Cuthbert Wilson with a presentation poem.

45 items.

Original poems in Latin and English, mostly by Barrett, including school exercises; translations by Barrett of early modern and eighteenth-century English poems into Latin.

Richard Chaloner Cobbe, ca. 1753.

Thick boards seemingly worn by use. 

67 items.

Seems reflective of an Oxford circle of male poets.

Latin poetry, bawdy satire, and poems about women.

Stephen Simpson, 1773. 

Courtship gift to Sarah Leaper, Simpson's future wife.

29 poems.

Themes of love and friendship. 

Anonymous member of the Porter family, late eighteenth-century.

4 volumes, 2039 poems. 

Contemporary poetry, many items commonly included in manuscript verse miscellanies. 

Anonymous Oxonian, 1790s.

Some items possibly marked for copying.

214 poems.

Lots of Latin poetry, and English poetry with Greek titles.

Daughter or granddaughter of Elizabeth Amherst Thomas, 1798.

46 poems.

Entirely original Elizabeth Amherst Thomas poems compiled retrospectively, often whimsical, witty, resisting stereotypes about women.

Anonymous, ca. 1783. 

102 poems.

Moralizing book with some lighter poems; many items sourced from "L—'s Miscellany," and many items from the 1760s. 

Gabriel Lepipre, ca. 1750. 

246 poems. 

Good example of miscellany as autobiography; also includes lots of epitaphs.

Eliza Chapman, 1788-89.

87 poems.

Contributions by Scriblerus, Eliza Chapman's suitor. 

Tickell family, 1787–ca. 1828.

35 poems.

Poems about love, friendship, and artistic pursuits, as well as commemorative poems about deaths in the family.

Soame Jenyns, 1729.

Presentation copy of Beinecke Osborn c147, only slightly different contents. Poems written for Margaret Cavendish Harley, her father, Robert Harley, Earl of Oxford, and her circle of friends. 

18 items.

Flattery, panegyric. 

At least partially compiled by Frances, Viscountess Montague, begun ca. 1745.

93 poems.

Mildly moral and cynical about public affairs, social behaviours.

Anonymous, ca. 1709–1712.

57 items.

Very author oriented, with source attributions.

E.L.T. Bale, ca. 1730–1740 (possibly begun as early as 1710s though). 

This entry concerns the poetry end of the manuscript only.

48 poems.

Poems from popular periodicals, a few Latin poems, and a series of Horatian odes versified in English.

Francis Hawes, 1720–1760.

An ambigraph volume with poetry on both ends. This entry is concerned with the two ends of the volume only, not the middle (recipe) section which is in another hand.

165 poems.

Political satire poems in the style of early eighteenth-century; satire of court manners and prominent women. Many poems that mention Bath.

Jane Griffies Roscoe, 1774–1790.

200 poems.

Interest in female poets and women-centered poetry.

Charles Plumptre ca. 1730.

79 poems.

Includes school exercises; some poems possibly from friendship circle that includes John Hoadly and Isaac Hawkins Brown; could be connected with Newcombe’s school in Hackney; satires on women; poems by Lady Mary Wortley Montagu.

Anonymous, 1786–1798.

120 poems.

A very feminocentric collection with many female-authored work.

Tighe family coterie; Cavendish-Ponsonby-Crewe network.

John Dixon, ca. 1780–1817.

Six volumes.

Popular eighteenth-century poetry.

Mary Gay, 1801–1809.

324 items.

Preference for humorous pieces; some riddles. 

Anne Finch, Countess of Winchilsea, ca. 1685–1701 or 1702.

109 poems.

Poems and plays.

Louisa Grey, ca. 1780s.

Some items specified as not for circulation. 

150 poems.

Many poems about women, love; some epitaphs.

Anne Milles, ca. 1715.

21 poems.

Opens with a drinking song; not too serious a book in general. 

Anonymous Norfolk Clergyman, ca. 1814–1822.

Only included up to p. 82 (/119) because the rest of the book is game charts and other miscellaneous contents. 

53 poems.

Primarily local interest, political, and religious poetry. 

Hester Thrale Piozzi, ca. 1818.

183 poems.

Mostly other authors, some original work, often addressed to her daughters.

Anna Eliza Grenville, Duchess of Buckingham and Chandos, 1811–1832.

A mix of copied poetry and clippings.

33 poems.

Mostly poems about political events and nature.

Mary Capell, ca. 1740–1751.

Verso pages are filled with explanatory notes identifying people and places from the poems.

87 items.

Political satire, love poems; poems about poetry (writing, collection, gifts of poetry), the arts, and prologues and epilogues.

The final section of poems seems to be associated with the Yorke-Grey coterie. 

George Scott, 1728–1779.

Consecutive hands (George Scott is the second hand) seemingly linked by a Miss Verney who becomes Mrs. Bowes, then a Miss Bowes in part two.

99 items.

The first section contains quite a few poems by women; the second half sees a shift to copying newspaper items, many of which are attributed. 

Anonymous, ca. 1700.

This entry concerns the first 150 pages only (before the first change in hand).

100 items.

Thematic groupings involving passage of time, ephemerality of life, solitude, religion, kings, etc.

Anonymous, 1723, with a few later additions in 1740s.

153 poems. 

Mostly seventeenth-century poetry, typically very short poems with thematic titles. Lots of verses on classical Greek figures.

E. Beardwell, 1724.

31 poems.

Pastorals, georgics. 

James Gollop, ca. 1715. 

Possible example of a socially humble compiler, an aspirational book.

26 items.

Generally very common love poems and descriptive poems, common choices for a non-political miscellany of the early decades of the century.

Anonymous, ca. 1750–1770.

This entry pertains only to ff. 1–64v (the first two compilers of three). 

68 items.

Many poems about love, courtship, marriage, women.

Richard Porson, ca. 1780.

Includes a second section of bound-in separates with its own Table of Contents.

75 poems in the first section + 52 in the second.

Jacobite- and Cambridge-related material.

John Liptrott, ca. 1786. 

215 items, 151 poems, many of which are introduced with lengthy prose anecdotes or critical prefaces. 

Contents include satires of social issues and political corruption, historical anecdotes supporting Church of England, nature poetry, recollections of favourite dogs.