Anonymous, late eighteenth-century.

29 poems on the First Line Index.

Collection of poems by various authors, riddles, parodies, etc.

Anonymous member of the Porter family, late eighteenth-century.

4 volumes, 2039 poems. 

Contemporary poetry, many items commonly included in manuscript verse miscellanies. 

Anonymous schoolmistress (possibly named Eliza), 1788.

61 items.

Frequent references to the material having been written for schoolchildren or for occasions such as weddings and departures of friends.

Anonymous, early nineteenth-century.

19 poems.

Primarily sentimental poems, many written by Edward Venn and C.A. Venn on such subjects as passions, nature, friendship, and solitude.

E.H., early nineteenth century.

23 poems.

Primarily sentimental subjects such as death, religion, and family, with a few more satirical entries.

James Forbes, 1766–1800. 

This entry concerns only the first volume, as the second is entirely prose. 

151 poems.

Poems on various subjects, including many on death and women, but also conduct, retirement, nature, and slavery. 

Frances Glanville Boscawen and Julia Evelyn, begun in 1746.

120 poems.

Popular and original poetry on various themes. Large section of Lady Mary Wortley Montagu.

Anonymous Oxonian, 1790s.

Some items possibly marked for copying.

214 poems.

Lots of Latin poetry, and English poetry with Greek titles.

John Brewster, ca. 1770–ca. 1810.

130 poems.

Frequent epitaphs, poems on death. 

Henry Jodrell, ca. 1780.

Ambigraph book with Shakespeare plays at one end, poetry at the other. Given the limited number of entries, the poetry end was perhaps abandoned.

12 poems.

Anonymous, seemingly ca. 1775. 

Second volume seems to be organized thematically, with blank leaves left to be filled in later on the same theme (a good example of an organizational system in progress). 

82 items.

Initially focused on high-profile writers of the turn of the century, though the second volume contains some later work. 

Anonymous, 1724–1728.

109 poems.

Almost entirely early eighteenth-century poetry. Many contemporary satirical pieces, and items from Mist's Weekly Journal.

A.T.W, 1793–ca. 1800.

A lot of retrospective editing including comments and cross-outs. 

153 poems.

Many poems by or about important figures of literature and the stage; also epitaphs, inscriptions and letters; many poems by women.

Anonymous (probably from Scotland), 1737–ca. 1740.

415 poems

Many religious/devotional poems.

Anne Finch, Countess of Winchilsea, ca. 1685–1701 or 1702.

109 poems.

Poems and plays.

Robert Beere, ca. 1740s.

Very good example to look at organizing systems because he uses thematic, length, alphabetical, etc. to varying degrees throughout the book.

 338 items.

Many items are short aphorisms or epigrams; much in nature of advice literature; various pieces on the nature of man (the human state).

Anonymous, 1724–1729, with additional items copied in the 1690s and early 1730s. 

A book bound subsequent to copying.

115 poems.

Contains a Historical Dialogue in Scripture, as well as addresses, ballads, epigrams, epitaphs, extracts, poems and verses. Interest in literary celebrities like Pope and Swift.

Rose Tavern circle. 

Anna Eliza Grenville, Duchess of Buckingham and Chandos, 1811–1832.

A mix of copied poetry and clippings.

33 poems.

Mostly poems about political events and nature.

Revd. William Heath Marsh, ca. 1810.

~100 + ~85 = ~185 poems.

Volume 1 consists primarily of copied poetry, especially pastoral and morality poems or poems with classical themes; volume 2 contains much more original poetry, poems related to public affairs, and references to a Norfolk social network centred around Marsh and Thomas and Mary Blofeld.