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How to make your photos LOOK BETTER FAST! Photoshop Tutorial

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Description

What's up guys! In this tutorial, I'm going over some techniques to make your photos pop, stand out and generally just look better, fast!

If you are looking for ways to step up your editing game and enter the ring with photoshop - this video is for you.

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ASR: en

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what's up everybody Peter MacKinnon here

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and today we're talking about how to

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make your photos look better fast okay

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so you don't when you get home somewhere

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you've been taking photos maybe vacation

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maybe trip hanging out with friends and

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you load that photo on your computer and

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you're like oh this looks so good throw

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it up on the social Facebook Instagram

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people are double tap and that IG hearts

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are flowing and you're just feeling good

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about yourself ready for sunset and it's

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just so beautiful and then there's

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sometimes you get home and you open that

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photo up on your computer and you're

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like I remember this being way better

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when I was there promise so these are

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some basic editing skills basic editing

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skills that you can do on your

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photographs at home at any time using

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Photoshop I'm using Photoshop CC so go

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ahead head over to Adobe and download

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the trial of that or sign up for their

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subscription base to service which is

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what I do and you pay a monthly fee to

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basically own all of their apps that's

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what I recommend we can take a mundane

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photo that looks like this and turn it

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into something that looks like this in

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pretty much like 10 minutes maybe even

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faster if you do this thing on a daily

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basis like I do

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okay so we've dragged our photo into

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Photoshop and here we are we are hit

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with the Camera Raw plug-in that pops up

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and says hey this is a raw file what do

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you want to do you want to just open the

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image as is do you want to tweak it a

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little bit here with Camera Raw and then

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open it and this is where you might say

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to me Pete well what's the difference

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between editing and doing everything

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you're about to show me in Lightroom

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instead of using Lightroom and Photoshop

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we're using Camera Raw and Photoshop

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yeah you can do everything in Lightroom

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you can do everything in Photoshop it's

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all about workflow what programs you

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like better I like using them both photo

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shops more of like a photo manipulator

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where you can I don't like that guy's

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face I'm going to put his face on his

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face great for that kind of thing

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but I like using them both in

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conjunction with one another and I'm

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going to show you how I do it right here

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doesn't take long don't be nervous or

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like oh this is

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10 it's intense if you don't pay

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attention but no we're going to rip

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through this so Camera Raw I'm just

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going to tweak the exposure bring up the

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contrast a little bit highlight you'll

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see in the mountain there at the top I

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drag them all the way to the right they

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blow out if I bring them all the way

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down it's a little too dark but I'm

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happy kind of just just a little south

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of the center their shadows I'm fine

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with you can see really only affects

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that t-shirt we drag them all the way up

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but I don't want I don't want it to be

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this right it's just a little bit weird

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a little bit awkward if you will I'll

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drag them up to like 25 will be half

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will meet in the middle the white I'm

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happy with the whites the black that's

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good the clarity I always like to tweak

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a little bit because it just defines all

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those edges and really sharpens the

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image nicely straight into Photoshop the

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vibrance we're going to up a little bit

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a little bit more saturation and then

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because of those clarity adjustments we

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just did that sometimes darkens the

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image you might want to go back and just

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bring that exposure up slightly and then

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we're going to hit open image ok here we

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are the first thing I usually do with

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the photo is clean up any dust on

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someone's shirt or if they have bad skin

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I usually go over their skin with a

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brush tool like this Spot Healing Brush

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that kind of thing and if you watched my

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tutorial on how to float things in your

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photos this is the same brush that I'm

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using and I'm just clicking to get rid

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of any dust or specks

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that's just brush over here on the left

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side right below the color picker and

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it's just like look you clicked on so

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you can kind of clean up any spots that

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you want to smooth over with this brush

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now sometimes if you were to click

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something too big like let's say I made

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this brush size huge and click you can

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actually see the outline of the circle

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so you don't want to do that if you want

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to get rid of this little red mark here

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you'd be better off hitting s which

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gives you the clone stamp you hold down

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option select the area you want to clone

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and then you click too

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in that area over and I'm happy with

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pretty much just that right there he's

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got good skin as it is so I am ready to

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go now with Photoshop you never want to

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just edit the bottom layer and just

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start taking on your layers and layers

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an hour goes by you crushed an entire

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pizza and then you realize to yourself

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Oh his eyes are a little bit too dark

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and go back and change that you're like

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whoops sorry

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you flatten that image and bake those

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edits into that into that photo like 38

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minutes ago there's no going back but if

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you do everything on layers you can

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always delete a layer go back delete

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what you did tweak that layers

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adjustments change the colors so you

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always want to work in layers now I

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don't just duplicate the background I

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shift option command n is going to give

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you a new layer and then what I do is

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stamp visible layer on top of that

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sounds crazy already right but hang on

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shift option command e paste that image

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into the new layer we just made instead

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of just duplicating a layer if I've made

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a bunch of edits to a layer that is

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duplicate it to duplicate those edits

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with it I don't want that I just want to

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clean start so I can manipulate that and

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then blend everything together that

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doesn't make sense

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rewind watch it if you still rebound and

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watch it doesn't make sense do a shot

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come back it'll make sense okay

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I'm going to start by sharpening the

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image and by doing that I start by

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blurring the image first sounds

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counterintuitive yes but this is why

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you're going to go over to filter blur

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Gaussian blur I have it preset to 5 so

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set your radius of 5 hit OK change the

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blending mode down here in your layers

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panel to stop light oh look at that it

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looks warm

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it looks more punchy it already looks

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cooler but yeah I know it's blurry

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you're like why would I just want to

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just wreck an image to try and make it

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better sometimes you got to set

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something free to what's the same you

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got to let it you got to let it go to

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make it come back or if you let you love

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it set it free what it doesn't matter

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changing the opacity to 50%

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hit enter okay now if we use that little

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eyeball they're visible and invisible

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you can see how it's warmed his skin up

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it's kind of added just glow this nice

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smooth aspect to it soothing comforting

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if you will and we can see that by just

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clicking the eyeball on and off now is

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where we're going to sharpen it so again

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I'm going to shift option command n for

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a new layer shift option command E to

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stamp that layer on top and I'm going to

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desaturate this because I don't want to

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affect the colors when I'm sharpening it

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I just want to affect the lightness in

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the darkness while I'm sharpening it so

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shift command U is going to take all

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that color right gone change that

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blending mode to overlay you're going to

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go oh my goodness Pete what this looks

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like a scene from the Croke what is this

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nonsense heading on with me here go up

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to filter other we're going to run a

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high pass on it what just happened

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I know magic you'll see that weird crow

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like filter just vanished and now we

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have something that looks a little

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sharper you're going to hit okay now

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let's zoom in to his face here take a

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look at what's happened if we hide that

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it's blurry

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we unhide it it's sharp now if we unhide

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that and unhide this you'll see the

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colors have not only been pumped up a

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little bit in saturation but that skins

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nice and smooth and now it's sharp and

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we zoom out and it's looking pretty good

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gosh darn it if you want to double those

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effects if you want to say you know what

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I could use a little bit more of that

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sharp reapeat or I like the skin to look

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even more dreamy hold down command

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select both those layers drag them down

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to this new layers tab and that's going

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to duplicate the layers with all of the

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effects now that's too strong for me so

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while those two layers are still well

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while they're still selected

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even think of what to say there change

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your opacity to whatever suits your your

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fancy I'm going to go down to like 20 I

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don't want to really over exaggerate

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duplicating those effects but just

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enough that it gives me a little little

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more okay what do we do now Pete well it

0:08:38.750,0:08:42.919
could use some warm it's not winter time

0:08:41.240,0:08:44.840
right now in this photo but it's looking

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a little too cold so we're going to warm

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the photo up and we're going to do that

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by you guessed it shift command shift

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option command and new layer and then

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we're going to shift delete that's going

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to bring up the content aware box and

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you're going to hit color under content

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which then opens up the color picker I

0:09:02.870,0:09:07.130
have orange selected there's the

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hexadecimal code if you want to see that

0:09:07.130,0:09:11.960
F 5 7 9 0 0 you can plug that into the

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same spot and you'll end up with the

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same color orange that I'm using but it

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all depends on the photo you're editing

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so kind of doesn't matter hit OK

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hit OK again and now you have it looks

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beautiful a nice solid pumpkin looking

0:09:26.660,0:09:33.140
photo completely orange change that

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blending mode down here to soft light

0:09:33.140,0:09:37.310
and now it looks a little better it

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still looks like he has jaundice and

0:09:37.310,0:09:42.380
things are going bad we're going to

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change that opacity to like I don't know

0:09:42.380,0:09:48.950
maybe like 15 and say 15 is like a good

0:09:45.590,0:09:50.810
spot maybe maybe 13 I wanted to go 10

0:09:48.950,0:09:53.510
but then 16 so 13 in the middle of

0:09:50.810,0:09:55.280
sounds like I'm happy with that so now

0:09:53.510,0:09:57.200
that looks warmer so let's hide all of

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these and see what we've done see how

0:09:57.200,0:10:04.340
it's looking better already with not bad

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now what if I wanted to make his eyes

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brighter or make the mountains in the

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background darker because they're a

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little too washed out or his eyes and I

0:10:09.800,0:10:13.040
look a little too dark because of all

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the sharpening and the saturation that

0:10:13.040,0:10:16.190
we've added with the Gaussian blur we'll

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just how you're going to do that you're

0:10:16.190,0:10:19.910
going to make a new layer shift option

0:10:17.810,0:10:22.040
command n you're going to stamp that

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visible on there and you're going to

0:10:22.040,0:10:26.330
grab the last suit tool hold command

0:10:24.500,0:10:27.120
down get plus on your keyboard that's

0:10:26.330,0:10:29.009
going to zoom in

0:10:27.120,0:10:31.259
if you hold spacebar this is a little

0:10:29.009,0:10:34.170
hand pop-up and you can use that hand to

0:10:31.259,0:10:35.910
move the image around command + again to

0:10:34.170,0:10:39.329
zoom in and we're just going to select

0:10:35.910,0:10:41.100
the iris I don't want to make the whites

0:10:39.329,0:10:42.629
of his eyes too bright because then

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he'll look like someone from the walking

0:10:42.629,0:10:47.370
dead so once we selected that you'll see

0:10:45.480,0:10:49.410
that little selection of what's called

0:10:47.370,0:10:51.930
marching ants that means this area is

0:10:49.410,0:10:53.999
selected you hold shift you'll see a

0:10:51.930,0:10:59.459
little plus pop-up beside the lasso

0:10:53.999,0:11:01.920
lasso lasso lasso whatever select the

0:10:59.459,0:11:05.189
other eye be very careful not to go too

0:11:01.920,0:11:08.189
much into the skin but it's okay and now

0:11:05.189,0:11:09.829
we've got both eyes selected now you're

0:11:08.189,0:11:12.959
going to come down here and make a new

0:11:09.829,0:11:16.379
adjustment layer with brightness and

0:11:12.959,0:11:18.540
contrast click on that now if we up that

0:11:16.379,0:11:19.709
brightness you'll see just the eyeballs

0:11:18.540,0:11:22.529
are getting brighter now that's

0:11:19.709,0:11:26.040
terrifying that straight up looks like a

0:11:22.529,0:11:27.379
zombie if we zoom out there unless I

0:11:26.040,0:11:30.959
mean if that's what you're going for

0:11:27.379,0:11:32.999
you're done but not not here we're just

0:11:30.959,0:11:35.069
going to up that just a little bit I

0:11:32.999,0:11:36.509
don't want it to be too obvious if you

0:11:35.069,0:11:39.480
brighten someone's eyes up is way too

0:11:36.509,0:11:41.009
much people know and it looks that it's

0:11:39.480,0:11:43.050
like oh that guy had some fun in

0:11:41.009,0:11:45.779
Photoshop we don't want that we want it

0:11:43.050,0:11:47.429
to be subtle the more subtle edits that

0:11:45.779,0:11:48.689
we apply to this just a more pleasing

0:11:47.429,0:11:51.300
it's going to end up in the end

0:11:48.689,0:11:53.819
so I'm just bumping that a little right

0:11:51.300,0:11:55.709
there it's fine 24 for me I am good to

0:11:53.819,0:11:58.499
go with that now we're going to make

0:11:55.709,0:12:00.329
another layer again and what I'm going

0:11:58.499,0:12:01.709
to do with this layer is darken those

0:12:00.329,0:12:03.600
mounds in the background

0:12:01.709,0:12:05.730
same thing shift option command and

0:12:03.600,0:12:07.559
shift option command II I feel like I

0:12:05.730,0:12:09.689
have to keep saying that in case people

0:12:07.559,0:12:10.730
are tuning in or zoning in and out so

0:12:09.689,0:12:13.470
I'm sorry

0:12:10.730,0:12:15.600
and I just apologize past because I'm

0:12:13.470,0:12:19.079
Canadian in half because I am sorry but

0:12:15.600,0:12:20.370
anyway let's get back to this what

0:12:19.079,0:12:22.410
you're going to do is again with that

0:12:20.370,0:12:25.610
last new tool you're just going to draw

0:12:22.410,0:12:29.939
a line along the waterline over his head

0:12:25.610,0:12:32.490
over the trees just like this up that

0:12:29.939,0:12:36.000
border of the photo across the top and

0:12:32.490,0:12:38.189
across the left side back down right

0:12:36.000,0:12:40.350
there happy with that now we've got our

0:12:38.189,0:12:40.770
selection here same thing adjustment

0:12:40.350,0:12:43.380
layer

0:12:40.770,0:12:46.529
curds this time now we're going to use

0:12:43.380,0:12:50.040
this curve and we're going to bring down

0:12:46.529,0:12:52.110
that brightness so we're going to crush

0:12:50.040,0:12:54.000
it here even more - we talked about

0:12:52.110,0:12:55.709
making that s curved when using curves

0:12:54.000,0:12:58.320
but right now I just want to make it

0:12:55.709,0:13:00.149
darker but in doing so it just made it

0:12:58.320,0:13:01.560
really blue and like I said we're trying

0:13:00.149,0:13:02.640
to get rid of it feeling like it's

0:13:01.560,0:13:05.459
winter because it's the middle of summer

0:13:02.640,0:13:08.279
in this photo so we can change from RGB

0:13:05.459,0:13:10.380
to red Channel and then we can push more

0:13:08.279,0:13:13.440
Reds on to end now we don't want to look

0:13:10.380,0:13:16.680
like Mars so we're just going to tweak

0:13:13.440,0:13:18.480
that slightly just a little bit I'm

0:13:16.680,0:13:20.670
happy with that it's a little too purple

0:13:18.480,0:13:21.930
it's good right about there again I'm

0:13:20.670,0:13:23.940
trying to be subtle with this and we're

0:13:21.930,0:13:25.860
going to close that now because it's an

0:13:23.940,0:13:29.010
adjustment layer we can hit B for our

0:13:25.860,0:13:31.649
brush tool close bracket to make that a

0:13:29.010,0:13:34.380
little bit smaller and then we can paint

0:13:31.649,0:13:36.060
away that harsh line right there we're

0:13:34.380,0:13:38.580
just going to paint over that edge and

0:13:36.060,0:13:41.130
get rid of that harsh line because that

0:13:38.580,0:13:43.200
does not look good and then I'm going to

0:13:41.130,0:13:47.430
drop the opacity of this whole thing to

0:13:43.200,0:13:49.140
like 60 now if we hide that layer you'll

0:13:47.430,0:13:51.810
see what's happened it's just basically

0:13:49.140,0:13:54.089
drops the brightness and the contrast in

0:13:51.810,0:13:56.370
the top of the mountains and just kind

0:13:54.089,0:13:58.380
of define them a little more they got

0:13:56.370,0:14:00.570
lost and I wanted to bring them back

0:13:58.380,0:14:03.480
into focus and that's basically

0:14:00.570,0:14:06.000
accomplished by doing that now the last

0:14:03.480,0:14:09.240
thing you can do is shift option command

0:14:06.000,0:14:11.490
n shift option command E and then you

0:14:09.240,0:14:13.380
can desaturate this again and this is

0:14:11.490,0:14:15.510
just if you want a little more contrast

0:14:13.380,0:14:18.060
and mood in this photo which I like to

0:14:15.510,0:14:20.490
do in my shots but will be saturated

0:14:18.060,0:14:21.890
with shift command U and then I'm going

0:14:20.490,0:14:24.209
to change that blending mode to overlay

0:14:21.890,0:14:26.010
like we did right before we added the

0:14:24.209,0:14:28.770
high-pass filter but now I'm just going

0:14:26.010,0:14:31.170
to drop that opacity to like I don't

0:14:28.770,0:14:33.270
know 15 I'm going to preview see what

0:14:31.170,0:14:35.820
that does for me it just adds a little

0:14:33.270,0:14:39.390
more attitude I'm happy with this it

0:14:35.820,0:14:43.140
could just use a slight overall bump in

0:14:39.390,0:14:46.260
brightness so the last thing this is the

0:14:43.140,0:14:48.110
last layer we're going to add here I'm

0:14:46.260,0:14:51.209
going to add an adjustment layer for

0:14:48.110,0:14:53.610
curves and I'm just going to take the

0:14:51.209,0:14:54.630
bottom here and bump those curves up

0:14:53.610,0:14:58.440
just a little

0:14:54.630,0:15:01.320
little bit just ever so slightly not

0:14:58.440,0:15:02.940
making a big deal of it that's it I'm

0:15:01.320,0:15:04.770
going to select that top layer I'm going

0:15:02.940,0:15:06.510
to hold down shift and I'm going to

0:15:04.770,0:15:08.490
click the bottom layer right above the

0:15:06.510,0:15:09.990
background I'm going to hit command G

0:15:08.490,0:15:11.820
it's going to group all of our edits

0:15:09.990,0:15:14.460
together and we can double click on that

0:15:11.820,0:15:16.590
and name it edit and now when we look at

0:15:14.460,0:15:19.500
this photo if we just hide this layer

0:15:16.590,0:15:21.630
that's what we started with after we

0:15:19.500,0:15:24.900
adjusted it in the Camera Raw plug-in at

0:15:21.630,0:15:26.370
the beginning now it looks like this so

0:15:24.900,0:15:28.710
I'm going to flatten this image just for

0:15:26.370,0:15:31.800
example sake and then I'm going to bring

0:15:28.710,0:15:33.390
in this camera edit again so you can see

0:15:31.800,0:15:35.280
it but I'm going to reset we're going to

0:15:33.390,0:15:38.130
go back to default to what it looked

0:15:35.280,0:15:41.160
like I'm going to open that image I'm

0:15:38.130,0:15:43.290
going to copy it close that window and

0:15:41.160,0:15:45.900
I'm going to paste it onto this and that

0:15:43.290,0:15:47.550
is a pretty accurate representation of

0:15:45.900,0:15:50.070
what the photo looked like coming out of

0:15:47.550,0:15:53.820
the camera and what it looks like now

0:15:50.070,0:15:56.010
after we've applied our edits again this

0:15:53.820,0:15:58.020
is all personal preference you might not

0:15:56.010,0:16:00.240
like your photos as contrast being a

0:15:58.020,0:16:03.030
punchy or to pop as much as this and

0:16:00.240,0:16:05.070
that's the beauty of being photographers

0:16:03.030,0:16:06.840
and artists and editing is that you can

0:16:05.070,0:16:09.240
make it look however you want it to look

0:16:06.840,0:16:11.460
and the more that you stay consistent

0:16:09.240,0:16:13.680
with that style the more it becomes your

0:16:11.460,0:16:15.870
style and people start to pick up on

0:16:13.680,0:16:17.730
shots that you take without even knowing

0:16:15.870,0:16:19.830
you took them because they say hey that

0:16:17.730,0:16:22.710
looks a lot like how piece photos look

0:16:19.830,0:16:24.750
very peter McKinnon and it's really cool

0:16:22.710,0:16:27.270
to start seeing your own style develop

0:16:24.750,0:16:28.890
so if this is a cup of tea there's no

0:16:27.270,0:16:30.720
worries with that you can play around

0:16:28.890,0:16:32.700
with all those settings kind of follow

0:16:30.720,0:16:34.470
the same basic steps and come up with

0:16:32.700,0:16:35.700
something yourself that looks pretty

0:16:34.470,0:16:38.550
similar it looks completely different

0:16:35.700,0:16:41.580
everything's okay but we went from this

0:16:38.550,0:16:44.670
to this and I'd say that's a pretty

0:16:41.580,0:16:45.990
nifty little edit and not much time so

0:16:44.670,0:16:48.090
that's it guys thank you so much for

0:16:45.990,0:16:49.470
watching I really appreciate it if you

0:16:48.090,0:16:51.450
liked this video hit that like button

0:16:49.470,0:16:52.860
drop me a comment below let me know what

0:16:51.450,0:16:55.770
you thought I love hearing from you guys

0:16:52.860,0:16:57.990
and interacting and I'll see you in the

0:16:55.770,0:16:59.090
next tutorial or the next vlog whichever

0:16:57.990,0:17:11.559
comes first

0:16:59.090,0:17:11.559
[Music]

Default

1
00:00:00,096 --> 00:00:01,117
- What's up everybody?

2
00:00:01,117 --> 00:00:03,025
Peter McKinnon here, and today,

3
00:00:03,025 --> 00:00:05,750
we're talking about how to
make your photos look better.

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00:00:05,750 --> 00:00:06,966
Fast.

5
00:00:06,966 --> 00:00:09,633
(intense music)

6
00:00:12,249 --> 00:00:13,636
Okay, so you know when you
get home from somewhere,

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00:00:13,636 --> 00:00:15,951
you've been taking photos,
maybe vacation, maybe trip,

8
00:00:15,951 --> 00:00:18,554
hanging out with friends,
and you load that photo

9
00:00:18,554 --> 00:00:19,856
onto your computer and you're like,

10
00:00:19,856 --> 00:00:20,752
(gasps)

11
00:00:20,752 --> 00:00:22,539
this looks so good!

12
00:00:22,539 --> 00:00:25,177
Throw it up on the socials,
Facebook, Instagram,

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00:00:25,177 --> 00:00:27,777
people are double tapping
that IG, hearts are flowing,

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00:00:27,777 --> 00:00:29,610
and you're just feeling
good about yourself,

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00:00:29,610 --> 00:00:32,539
right as the sun sets and
it's just so beautiful.

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00:00:32,539 --> 00:00:34,285
And then there's sometimes you get home,

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00:00:34,285 --> 00:00:35,706
and you open that photo
up on your computer

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00:00:35,706 --> 00:00:38,596
and you're like,
(record skips)

19
00:00:38,596 --> 00:00:42,378
I remember this being way better
when I was there, promise.

20
00:00:42,378 --> 00:00:44,494
So these are some basic editing skills,

21
00:00:44,494 --> 00:00:47,265
basic editing skills, that you can do

22
00:00:47,265 --> 00:00:50,640
on your photographs at home
at any time using Photoshop.

23
00:00:50,640 --> 00:00:54,543
I'm using Photoshop CC, so
go ahead, head over to Adobe

24
00:00:54,543 --> 00:00:56,128
and download the trial of that,

25
00:00:56,128 --> 00:00:58,524
or sign up for their
subscription based service

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00:00:58,524 --> 00:01:00,518
which is what I do, and
you pay a monthly fee

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00:01:00,518 --> 00:01:02,797
to basically own all of their apps,

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00:01:02,797 --> 00:01:03,813
that's what I recommend.

29
00:01:03,813 --> 00:01:07,760
We can take a mundane
photo that looks like this,

30
00:01:07,760 --> 00:01:10,927
and turn it into something
that looks like this,

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00:01:10,927 --> 00:01:13,204
in pretty much like 10 minutes maybe?

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00:01:13,204 --> 00:01:16,091
Even faster if you do this thing
on a daily basis like I do.

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00:01:16,091 --> 00:01:18,248
Okay, so we've dragged
our photo into Photoshop

34
00:01:18,248 --> 00:01:21,686
and here we are, we are hit
with the Camera Raw plugin

35
00:01:21,686 --> 00:01:25,062
that pops up and says,
hey this is a raw file,

36
00:01:25,062 --> 00:01:25,895
what do you wanna do?

37
00:01:25,895 --> 00:01:27,338
Do you wanna just open the image as is?

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00:01:27,338 --> 00:01:28,605
Do you wanna tweak it a little bit here

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00:01:28,605 --> 00:01:31,246
with Camera Raw and then open it?

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00:01:31,246 --> 00:01:32,543
And this is where you
might say to me, Pete,

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00:01:32,543 --> 00:01:34,224
well what's the difference between editing

42
00:01:34,224 --> 00:01:36,745
and doing everything you're
about to show me in Lightroom

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00:01:36,745 --> 00:01:39,226
instead of using Lightroom and Photoshop,

44
00:01:39,226 --> 00:01:41,626
or using Camera Raw and Photoshop?

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00:01:41,626 --> 00:01:43,373
Yeah, you can do everything in Lightroom.

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00:01:43,373 --> 00:01:44,796
You can do everything in Photoshop.

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00:01:44,796 --> 00:01:48,090
It's all about workflow, what
programs you like better,

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00:01:48,090 --> 00:01:49,268
I like using them both.

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00:01:49,268 --> 00:01:51,786
Photoshop's more of like
a photo manipulator,

50
00:01:51,786 --> 00:01:54,834
where you can, I don't
like that guy's face!

51
00:01:54,834 --> 00:01:57,597
I'm gonna put his face on his face.

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00:01:57,597 --> 00:01:59,952
Great for that kind of thing.

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00:01:59,952 --> 00:02:02,397
But I like using them both in
conjunction with one another,

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00:02:02,397 --> 00:02:04,674
and I'm gonna show you
how I do it right here.

55
00:02:04,674 --> 00:02:07,529
Doesn't take long, so don't
be nervous or like, oh,

56
00:02:07,529 --> 00:02:11,313
this is intense, it's intense
if you don't pay attention.

57
00:02:11,313 --> 00:02:14,968
But no, we're gonna rip
through this, so Camera Raw,

58
00:02:14,968 --> 00:02:17,818
I'm just gonna tweak the
exposure, bring up the contrast

59
00:02:17,818 --> 00:02:20,377
a little bit, highlights,
you'll see in the mountain

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00:02:20,377 --> 00:02:23,543
there at the top if I drag
them all the way to the right,

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00:02:23,543 --> 00:02:25,780
they blow out, if I bring
them all the way down,

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00:02:25,780 --> 00:02:29,084
it's a little too dark, but
I'm happy kind of just, just,

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00:02:29,084 --> 00:02:32,135
just a little south of the center there.

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00:02:32,135 --> 00:02:34,490
Shadows, I'm fine with,
you can see it really only

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00:02:34,490 --> 00:02:37,056
affects that T-shirt if we
drag 'em all the way up,

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00:02:37,056 --> 00:02:39,537
but I don't want it to be this bright.

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00:02:39,537 --> 00:02:41,769
It's just a little bit weird,

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00:02:41,769 --> 00:02:43,963
little bit awkward if you will.

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00:02:43,963 --> 00:02:48,675
I'll drag 'em up to like 25,
we'll meet in the middle.

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00:02:48,675 --> 00:02:50,177
The whites, I'm happy with the whites,

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00:02:50,177 --> 00:02:53,752
the blacks, that's good, the
clarity I always like to tweak

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00:02:53,752 --> 00:02:56,238
a little bit because it
just defines all those edges

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00:02:56,238 --> 00:02:58,312
and really sharpens the image nicely

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00:02:58,312 --> 00:03:00,060
straight into Photoshop.

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00:03:00,060 --> 00:03:01,930
The vibrance we're gonna up a little bit,

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00:03:01,930 --> 00:03:03,477
little bit more saturation.

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00:03:03,477 --> 00:03:06,078
And then, because of those
clarity adjustments we just did,

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00:03:06,078 --> 00:03:07,585
that sometimes darkens the image,

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00:03:07,585 --> 00:03:11,340
so you might wanna go back
and just bring that exposure

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00:03:11,340 --> 00:03:15,113
up slightly, and then
we're gonna hit Open Image.

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00:03:15,113 --> 00:03:19,301
Okay, here we are, the first
thing I usually do with a photo

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00:03:19,301 --> 00:03:22,547
is clean up any dust on someone's shirt

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00:03:22,547 --> 00:03:26,003
or if they have bad skin I
usually go over their skin

84
00:03:26,003 --> 00:03:29,791
with a brush tool like
this spot healing brush,

85
00:03:29,791 --> 00:03:30,889
that kinda thing.

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00:03:30,889 --> 00:03:34,883
And if you watched my tutorial
on how to float things

87
00:03:34,883 --> 00:03:38,129
in your photos, this is the
same brush that I'm using,

88
00:03:38,129 --> 00:03:41,016
and I'm just clicking
to get rid of any dust

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00:03:41,016 --> 00:03:43,500
or specks, that's this brush
over here on the left side

90
00:03:43,500 --> 00:03:45,699
right below the color picker.

91
00:03:45,699 --> 00:03:49,399
And it just like, look,
you click, it's gone,

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00:03:49,399 --> 00:03:51,595
so you can kinda clean up any spots

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00:03:51,595 --> 00:03:54,886
that you want to smooth
over with this brush.

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00:03:54,886 --> 00:03:57,008
Now sometimes if you were
to click something too big,

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00:03:57,008 --> 00:03:59,610
like let's say I made this
brush size huge and clicked,

96
00:03:59,610 --> 00:04:01,965
you can actually see the
outline of the circle.

97
00:04:01,965 --> 00:04:03,509
So you don't wanna do that.

98
00:04:03,509 --> 00:04:05,632
If you wanted to get rid of
this little red mark here,

99
00:04:05,632 --> 00:04:07,459
you'd be better off hitting S,

100
00:04:07,459 --> 00:04:08,841
which gives you the clone stamp,

101
00:04:08,841 --> 00:04:12,381
you hold down Option, select
the area you wanna clone,

102
00:04:12,381 --> 00:04:15,554
and then you click to
clone that area over.

103
00:04:15,554 --> 00:04:17,669
And I'm happy with pretty
much just that right there.

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00:04:17,669 --> 00:04:21,836
He's got good skin as it
is, so, I am ready to go.

105
00:04:23,165 --> 00:04:25,568
Now with Photoshop, you
never wanna just edit

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00:04:25,568 --> 00:04:28,547
the bottom layer and just
start caking on your layers

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00:04:28,547 --> 00:04:32,714
and layers, an hour goes by,
you crushed an entire pizza.

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00:04:33,907 --> 00:04:35,453
And then you realize to yourself, oh,

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00:04:35,453 --> 00:04:36,834
his eyes are a little bit too dark,

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00:04:36,834 --> 00:04:38,173
I'm gonna go back and change that.

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00:04:38,173 --> 00:04:40,863
And you're like, woops, sorry,
you flattened that image

112
00:04:40,863 --> 00:04:45,825
and baked those edits into
that photo like 38 minutes ago.

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00:04:45,825 --> 00:04:47,329
There's no going back.

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00:04:47,329 --> 00:04:49,443
But if you do everything on layers,

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00:04:49,443 --> 00:04:52,693
you can always delete a layer,
go back, delete what you did,

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00:04:52,693 --> 00:04:55,168
tweak that layer's
adjustments, change the colors,

117
00:04:55,168 --> 00:04:57,808
so you always wanna work in layers.

118
00:04:57,808 --> 00:05:00,254
Now, I don't just
duplicate the background,

119
00:05:00,254 --> 00:05:02,569
I Shift + Option + Command + N

120
00:05:02,569 --> 00:05:03,746
is gonna give you a new layer.

121
00:05:03,746 --> 00:05:07,558
And then what I do is stamp
visible layer on top of that.

122
00:05:07,558 --> 00:05:08,941
This sounds crazy already, right?

123
00:05:08,941 --> 00:05:12,030
But hang on, Shift + Option + Command + E

124
00:05:12,030 --> 00:05:14,423
pastes that image into
the new layer we just made

125
00:05:14,423 --> 00:05:16,820
instead of just duplicating a layer.

126
00:05:16,820 --> 00:05:18,242
If I've made a bunch of edits to a layer

127
00:05:18,242 --> 00:05:20,637
then I duplicate it, it's
gonna duplicate those edits

128
00:05:20,637 --> 00:05:23,730
with it, I don't want that,
I just want a clean start

129
00:05:23,730 --> 00:05:26,497
so I can manipulate that and
then blend everything together.

130
00:05:26,497 --> 00:05:28,772
If that doesn't make
sense, rewind, watch it,

131
00:05:28,772 --> 00:05:30,948
if you still rewound and watch
and it doesn't make sense,

132
00:05:30,948 --> 00:05:34,198
do a shot, come back, it'll make sense.

133
00:05:35,062 --> 00:05:37,619
Okay, I'm gonna start
by sharpening the image,

134
00:05:37,619 --> 00:05:40,829
and by doing that, I start
by blurring the image first.

135
00:05:40,829 --> 00:05:43,795
Sounds counterintuitive,
yes, but this is why.

136
00:05:43,795 --> 00:05:47,946
You're gonna go over to
Filter, Blur, Gaussian Blur,

137
00:05:47,946 --> 00:05:50,870
I have it preset to five,
so set your radius to five,

138
00:05:50,870 --> 00:05:53,881
hit OK, change the blending mode down here

139
00:05:53,881 --> 00:05:56,872
in your layers panel to Soft Light.

140
00:05:56,872 --> 00:05:57,705
Woo!

141
00:05:57,705 --> 00:06:00,952
Look at that, it looks
warm, it looks more punchy,

142
00:06:00,952 --> 00:06:04,129
it already looks cooler,
but, I know, it's blurry.

143
00:06:04,129 --> 00:06:07,060
You're like, why would
I just wreck an image

144
00:06:07,060 --> 00:06:08,576
to try and make it better?

145
00:06:08,576 --> 00:06:11,429
Sometimes you gotta set something free to,

146
00:06:11,429 --> 00:06:12,284
what's the saying?

147
00:06:12,284 --> 00:06:15,255
You gotta let it go to make it come back?

148
00:06:15,255 --> 00:06:17,335
Or if you love it set it free?

149
00:06:17,335 --> 00:06:19,102
You know what, doesn't matter,

150
00:06:19,102 --> 00:06:23,102
change the opacity to
50%, hit Enter, okay?

151
00:06:24,719 --> 00:06:26,998
Now, if we use that little eyeball there,

152
00:06:26,998 --> 00:06:29,595
visible and invisible, you can see

153
00:06:29,595 --> 00:06:32,646
how it's warmed his skin up,
it's kind of added this glow,

154
00:06:32,646 --> 00:06:35,229
this nice, smooth aspect to it.

155
00:06:36,228 --> 00:06:39,076
Soothing, comforting, if you will.

156
00:06:39,076 --> 00:06:42,247
And we can see that by just
clicking the eyeball on and off.

157
00:06:42,247 --> 00:06:44,078
Now is where we're going to sharpen it.

158
00:06:44,078 --> 00:06:46,433
So again, I'm gonna Shift
+ Option + Command + N

159
00:06:46,433 --> 00:06:48,546
for a new layer, Shift
+ Option + Command + E

160
00:06:48,546 --> 00:06:51,227
to stamp that layer on top.

161
00:06:51,227 --> 00:06:52,935
And I'm gonna desaturate this,

162
00:06:52,935 --> 00:06:55,411
because I don't want to affect the colors

163
00:06:55,411 --> 00:06:56,915
when I'm sharpening it,
I just want to affect

164
00:06:56,915 --> 00:06:59,240
the lightness and the darkness
while I'm sharpening it.

165
00:06:59,240 --> 00:07:03,407
So Shift + Command + U is
gonna take all that color away,

166
00:07:04,279 --> 00:07:07,203
gone, change that
blending mode to Overlay,

167
00:07:07,203 --> 00:07:09,533
you're gonna go, oh my
goodness, Pete, what?

168
00:07:09,533 --> 00:07:11,363
This looks like a scene from The Crow.

169
00:07:11,363 --> 00:07:13,284
What is this nonsense?

170
00:07:13,284 --> 00:07:16,839
Hang on with me here,
go up to Filter, Other,

171
00:07:16,839 --> 00:07:20,373
we're gonna run a High Pass
on it, what just happened?

172
00:07:20,373 --> 00:07:23,837
I know, it's magic, you'll see
that weird crow-like filter

173
00:07:23,837 --> 00:07:27,008
just vanished, and now we
have something that looks

174
00:07:27,008 --> 00:07:29,910
a little sharper, you're gonna hit OK.

175
00:07:29,910 --> 00:07:31,620
Now let's zoom in to his face here

176
00:07:31,620 --> 00:07:33,216
and take a look at what's happened.

177
00:07:33,216 --> 00:07:37,573
If we hide that, it's blurry,
we unhide it, it's sharp.

178
00:07:37,573 --> 00:07:40,253
Now if we unhide that, and unhide this,

179
00:07:40,253 --> 00:07:43,744
you'll see the colors have not only

180
00:07:43,744 --> 00:07:45,610
been pumped up a little bit in saturation,

181
00:07:45,610 --> 00:07:49,512
but that skin's nice and
smooth, and now it's sharp.

182
00:07:49,512 --> 00:07:53,536
And we zoom out, and it's
looking pretty good gosh darn it.

183
00:07:53,536 --> 00:07:55,688
If you want to double those effects,

184
00:07:55,688 --> 00:07:57,681
if you want to say, you know what?

185
00:07:57,681 --> 00:07:59,712
I could use a little bit more
of that sharpening, Pete.

186
00:07:59,712 --> 00:08:03,090
Or, I'd like the skin to
look even more dreamy,

187
00:08:03,090 --> 00:08:06,059
hold down Command,
select both those layers,

188
00:08:06,059 --> 00:08:08,412
drag them down to this New Layers tab,

189
00:08:08,412 --> 00:08:11,055
and that's gonna duplicate the layers

190
00:08:11,055 --> 00:08:12,761
with all of the effects.

191
00:08:12,761 --> 00:08:13,945
Now that's too strong for me,

192
00:08:13,945 --> 00:08:16,449
so while those two layers are still,

193
00:08:16,449 --> 00:08:17,853
while they're still selected,

194
00:08:17,853 --> 00:08:20,944
I couldn't even think
of what to say there,

195
00:08:20,944 --> 00:08:25,185
change your opacity to
whatever suits your fancy.

196
00:08:25,185 --> 00:08:26,565
I'm gonna go down to like 20,

197
00:08:26,565 --> 00:08:29,652
I don't want to really over exaggerate

198
00:08:29,652 --> 00:08:30,790
duplicating those effects,

199
00:08:30,790 --> 00:08:34,957
but just enough that it gives
me a little, little more.

200
00:08:35,862 --> 00:08:37,773
Okay, what do we do now Pete?

201
00:08:37,773 --> 00:08:40,051
Well, it could use some warmth,

202
00:08:40,051 --> 00:08:42,327
it's not winter time
right now in this photo,

203
00:08:42,327 --> 00:08:44,035
but it's looking a little too cold.

204
00:08:44,035 --> 00:08:45,991
So we're gonna warm the photo up,

205
00:08:45,991 --> 00:08:48,880
and we're gonna do that
by, you guessed it,

206
00:08:48,880 --> 00:08:52,249
Shift + Option + Command + N, new layer,

207
00:08:52,249 --> 00:08:54,777
and then we are going to Shift + Delete,

208
00:08:54,777 --> 00:08:58,156
that's gonna bring up
the Content Aware box.

209
00:08:58,156 --> 00:09:01,003
And you're gonna hit Color under Contents,

210
00:09:01,003 --> 00:09:03,237
which then opens up the Color Picker.

211
00:09:03,237 --> 00:09:06,403
I have orange selected,
there's the hexadecimal code

212
00:09:06,403 --> 00:09:09,657
if you want to see that, F57900,

213
00:09:09,657 --> 00:09:11,281
you can plug that into the same spot

214
00:09:11,281 --> 00:09:13,479
and you'll end up with the same
color orange that I'm using.

215
00:09:13,479 --> 00:09:15,837
But, it all depends on
the photo you're editing,

216
00:09:15,837 --> 00:09:18,195
so kinda doesn't matter.

217
00:09:18,195 --> 00:09:22,362
Hit OK, hit OK again, and now
you have it, looks beautiful.

218
00:09:24,382 --> 00:09:29,139
A nice, solid, pumpkin looking
photo, completely orange.

219
00:09:29,139 --> 00:09:33,306
Change that blending mode
down here to Soft Light.

220
00:09:34,180 --> 00:09:35,439
And now it looks a little better,

221
00:09:35,439 --> 00:09:37,234
it still looks like he has jaundice,

222
00:09:37,234 --> 00:09:39,483
and things are going bad,

223
00:09:39,483 --> 00:09:42,530
but we're gonna change that
opacity to like, I don't know,

224
00:09:42,530 --> 00:09:46,105
maybe like 15, I'd say
15 is like a good spot.

225
00:09:46,105 --> 00:09:49,723
Maybe 13, I wanted to go 10, but then 15,

226
00:09:49,723 --> 00:09:53,422
so 13 in the middle sounds
like, I'm happy with that.

227
00:09:53,422 --> 00:09:54,316
So now that looks warmer,

228
00:09:54,316 --> 00:09:56,913
so let's hide all of these
and see what we've done,

229
00:09:56,913 --> 00:09:58,217
see how it's looking better already?

230
00:09:58,217 --> 00:09:59,967
Let's, boop, not bad.

231
00:10:01,156 --> 00:10:05,022
Now, what if I wanted to
make his eyes brighter,

232
00:10:05,022 --> 00:10:07,218
or make the mountains in
the background darker?

233
00:10:07,218 --> 00:10:08,849
Because they're a little too washed out,

234
00:10:08,849 --> 00:10:10,677
or his eyes now look a little too dark

235
00:10:10,677 --> 00:10:12,871
because of all the
sharpening and the saturation

236
00:10:12,871 --> 00:10:15,103
that we've added with the gaussian blur.

237
00:10:15,103 --> 00:10:16,222
Well this is how you're gonna do that.

238
00:10:16,222 --> 00:10:17,405
You're gonna make a new layer,

239
00:10:17,405 --> 00:10:18,872
Shift + Option + Command + N,

240
00:10:18,872 --> 00:10:21,791
you're gonna stamp that visible on there,

241
00:10:21,791 --> 00:10:24,921
and you're gonna grab the
lasso tool, hold Command down,

242
00:10:24,921 --> 00:10:27,521
hit plus on your keyboard,
that's gonna zoom in.

243
00:10:27,521 --> 00:10:30,243
If you hold spacebar, you'll
see this little hand pop up,

244
00:10:30,243 --> 00:10:33,133
and you can use that hand
to move the image around.

245
00:10:33,133 --> 00:10:35,164
Command + Plus again to zoom in,

246
00:10:35,164 --> 00:10:38,244
and we're just gonna select the iris,

247
00:10:38,244 --> 00:10:40,886
I don't wanna make the
whites of his eyes too bright

248
00:10:40,886 --> 00:10:43,524
because then he'll look like
someone from The Walking Dead.

249
00:10:43,524 --> 00:10:45,243
So once we've selected that,

250
00:10:45,243 --> 00:10:46,746
you'll see that little selection

251
00:10:46,746 --> 00:10:48,213
of what's called marching ants,

252
00:10:48,213 --> 00:10:50,248
that means this area is selected.

253
00:10:50,248 --> 00:10:53,224
You hold Shift, you'll
see a little plus pop up

254
00:10:53,224 --> 00:10:56,922
beside the lasso, lasso, lasso, lasso?

255
00:10:56,922 --> 00:10:57,755
Whatever.

256
00:10:58,834 --> 00:11:02,696
Select the other eye, be very
careful not to go too much

257
00:11:02,696 --> 00:11:05,101
into the skin, but it's okay,

258
00:11:05,101 --> 00:11:08,022
and now we've got both eyes selected.

259
00:11:08,022 --> 00:11:09,161
Now you're gonna come down here

260
00:11:09,161 --> 00:11:12,127
and make a new adjustment layer

261
00:11:12,127 --> 00:11:14,322
with brightness and contrast.

262
00:11:14,322 --> 00:11:16,924
Click on that, now if
we up that brightness

263
00:11:16,924 --> 00:11:19,363
you'll see just the eyeballs
are getting brighter.

264
00:11:19,363 --> 00:11:23,631
Now that's terrifying, that
straight up looks like a zombie,

265
00:11:23,631 --> 00:11:26,437
if we zoom out there, unless,

266
00:11:26,437 --> 00:11:28,974
if that's what you're
going for, you're done.

267
00:11:28,974 --> 00:11:33,777
But not here, we're just gonna
up that just a little bit,

268
00:11:33,777 --> 00:11:34,994
I don't want it to be too obvious.

269
00:11:34,994 --> 00:11:37,961
If you brighten someone's
eyes up way too much,

270
00:11:37,961 --> 00:11:39,879
people know and it
looks bad and it's like,

271
00:11:39,879 --> 00:11:42,076
oh that guy had some fun in Photoshop.

272
00:11:42,076 --> 00:11:43,743
We don't want that, we
want it to be subtle.

273
00:11:43,743 --> 00:11:46,866
The more subtle edits
that we apply to this,

274
00:11:46,866 --> 00:11:48,658
just the more pleasing it's
gonna end up in the end.

275
00:11:48,658 --> 00:11:52,033
So I'm just bumping that a
little, right there is fine,

276
00:11:52,033 --> 00:11:55,159
24 for me, I am good to go with that.

277
00:11:55,159 --> 00:11:57,763
Now we're gonna make another layer again,

278
00:11:57,763 --> 00:11:59,635
and what I'm gonna do with this layer

279
00:11:59,635 --> 00:12:01,997
is darken those mounds in the background.

280
00:12:01,997 --> 00:12:03,781
Same thing, Shift + Option + Command + N,

281
00:12:03,781 --> 00:12:05,445
Shift + Option + Command + E,

282
00:12:05,445 --> 00:12:06,828
I feel like I have to keep saying that

283
00:12:06,828 --> 00:12:09,549
in case people are tuning
in or zoning in and out,

284
00:12:09,549 --> 00:12:12,925
so I'm sorry, and I just apologized,

285
00:12:12,925 --> 00:12:15,526
half because I'm Canadian,
and half because I am sorry.

286
00:12:15,526 --> 00:12:18,989
But anyway, let's get back to this.

287
00:12:18,989 --> 00:12:21,724
What you're gonna do, is
again, with that lasso tool,

288
00:12:21,724 --> 00:12:24,736
you're just gonna draw a
line along the water line,

289
00:12:24,736 --> 00:12:28,569
over his head, over the
trees, just like this,

290
00:12:29,612 --> 00:12:33,065
up that border of the
photo, across the top,

291
00:12:33,065 --> 00:12:36,765
and across the left side,
back down, right there.

292
00:12:36,765 --> 00:12:39,165
Happy with that, now we've
got our selection here.

293
00:12:39,165 --> 00:12:42,783
Same thing, adjustment
layer, Curves this time.

294
00:12:42,783 --> 00:12:45,018
Now we're gonna use this curve,

295
00:12:45,018 --> 00:12:49,489
and we're going to bring
down that brightness.

296
00:12:49,489 --> 00:12:51,722
And we're gonna crush
it here even more too.

297
00:12:51,722 --> 00:12:54,084
We've talked about making that
S curve when using curves,

298
00:12:54,084 --> 00:12:56,646
but right now, I just
wanna make it darker.

299
00:12:56,646 --> 00:12:59,285
But in doing so, it just
made it really blue.

300
00:12:59,285 --> 00:13:01,117
And like I said, we're
trying to get rid of it

301
00:13:01,117 --> 00:13:02,012
feeling like it's winter,

302
00:13:02,012 --> 00:13:04,135
'cause it's the middle
of summer in this photo,

303
00:13:04,135 --> 00:13:07,220
so we can change from RGB to red channel,

304
00:13:07,220 --> 00:13:09,700
and then we can push more reds onto that.

305
00:13:09,700 --> 00:13:12,078
Now we don't want it to look like Mars.

306
00:13:12,078 --> 00:13:16,918
So we're just gonna tweak that
slightly, just a little bit.

307
00:13:16,918 --> 00:13:19,193
I'm happy with that,
it's a little too purple,

308
00:13:19,193 --> 00:13:20,411
it's good right about there.

309
00:13:20,411 --> 00:13:21,756
Again, I'm trying to be subtle with this,

310
00:13:21,756 --> 00:13:23,265
and then we're gonna close that.

311
00:13:23,265 --> 00:13:24,687
Now because it's an adjustment layer,

312
00:13:24,687 --> 00:13:27,694
we can hit B for our brush tool,

313
00:13:27,694 --> 00:13:30,075
closed bracket to make
that a little bit smaller,

314
00:13:30,075 --> 00:13:34,338
and then we can paint away
that harsh line right there.

315
00:13:34,338 --> 00:13:36,575
So we're just gonna paint over that edge,

316
00:13:36,575 --> 00:13:38,078
and get rid of that harsh line

317
00:13:38,078 --> 00:13:40,637
because that does not look good.

318
00:13:40,637 --> 00:13:42,177
And then I'm gonna drop the opacity

319
00:13:42,177 --> 00:13:45,299
of this whole thing to like, 60.

320
00:13:45,299 --> 00:13:48,351
Now if we hide that layer,
you'll see what's happened,

321
00:13:48,351 --> 00:13:51,722
it just basically dropped the
brightness and the contrast

322
00:13:51,722 --> 00:13:54,809
in the top of the mountains,
and just kind of defined them

323
00:13:54,809 --> 00:13:57,340
a little more, they got lost,

324
00:13:57,340 --> 00:13:59,330
and I wanted to bring
them back into focus,

325
00:13:59,330 --> 00:14:03,030
and that's basically
accomplished by doing that.

326
00:14:03,030 --> 00:14:05,098
Now the last thing you can do

327
00:14:05,098 --> 00:14:07,287
is Shift + Option + Command + N,

328
00:14:07,287 --> 00:14:08,994
Shift + Option + Command + E,

329
00:14:08,994 --> 00:14:11,314
and then you can desaturate this again,

330
00:14:11,314 --> 00:14:13,512
and this is just if you
want a little more contrast

331
00:14:13,512 --> 00:14:16,357
and mood in this photo, which
I like to do in my shots.

332
00:14:16,357 --> 00:14:20,113
But, we'll desaturate it
with Shift + Command + U,

333
00:14:20,113 --> 00:14:22,793
and then I'm gonna change
that blending mode to Overlay,

334
00:14:22,793 --> 00:14:25,514
like we did right before we
added the high pass filter,

335
00:14:25,514 --> 00:14:27,548
but now I'm just gonna drop that opacity

336
00:14:27,548 --> 00:14:30,876
to like, I don't know,
15, I'm gonna preview,

337
00:14:30,876 --> 00:14:32,295
see what that does for me.

338
00:14:32,295 --> 00:14:35,865
It just adds a little more
attitude, I'm happy with this.

339
00:14:35,865 --> 00:14:40,032
It could just use a slight
overall bump in brightness.

340
00:14:41,064 --> 00:14:44,153
So the last thing, this is the last layer

341
00:14:44,153 --> 00:14:48,255
we're gonna add here, I'm
gonna add an adjustment layer

342
00:14:48,255 --> 00:14:52,374
for Curves, and I'm just
gonna take the bottom here,

343
00:14:52,374 --> 00:14:55,466
and bump those curves
up just a little bit.

344
00:14:55,466 --> 00:14:57,299
Just ever so slightly,

345
00:14:58,389 --> 00:15:01,431
not making a big deal of it, that's it.

346
00:15:01,431 --> 00:15:02,854
I'm gonna select that top layer,

347
00:15:02,854 --> 00:15:04,437
I'm gonna hold down Shift,

348
00:15:04,437 --> 00:15:05,901
and I'm gonna click the bottom layer

349
00:15:05,901 --> 00:15:07,098
right above the background,

350
00:15:07,098 --> 00:15:08,726
and then I'm gonna hit Command + G,

351
00:15:08,726 --> 00:15:10,999
that's gonna group all
of our edits together,

352
00:15:10,999 --> 00:15:13,356
and we can double click
on that and name it edits.

353
00:15:13,356 --> 00:15:15,511
And now when we look at this photo,

354
00:15:15,511 --> 00:15:18,973
if we just hide this layer,
that's what we started with

355
00:15:18,973 --> 00:15:21,613
after we adjusted it in
the Camera Raw plugin

356
00:15:21,613 --> 00:15:23,291
at the beginning,

357
00:15:23,291 --> 00:15:24,832
now it looks like this.

358
00:15:24,832 --> 00:15:28,121
So I'm gonna flatten this
image just for example's sake,

359
00:15:28,121 --> 00:15:31,330
and then I'm gonna bring
in this camera edit again

360
00:15:31,330 --> 00:15:33,202
so you can see it, but I'm gonna reset,

361
00:15:33,202 --> 00:15:34,988
we're gonna go back to defaults,

362
00:15:34,988 --> 00:15:38,159
to what it looked like, and
I'm gonna open that image.

363
00:15:38,159 --> 00:15:41,212
I'm going to copy it, close that window,

364
00:15:41,212 --> 00:15:43,003
and I'm gonna paste it onto this.

365
00:15:43,003 --> 00:15:45,847
And that is a pretty
accurate representation

366
00:15:45,847 --> 00:15:49,058
of what the photo looked like
coming out of the camera,

367
00:15:49,058 --> 00:15:53,240
and what it looks like now
after we've applied our edits.

368
00:15:53,240 --> 00:15:55,516
Again, this is all personal preference.

369
00:15:55,516 --> 00:15:57,914
You might not like your
photos as contrasty

370
00:15:57,914 --> 00:16:00,880
and as punchy, or to pop as much as this,

371
00:16:00,880 --> 00:16:03,155
and that's the beauty
of being photographers

372
00:16:03,155 --> 00:16:05,640
and artists and editing is
that you can make it look

373
00:16:05,640 --> 00:16:07,554
however you want it to look.

374
00:16:07,554 --> 00:16:10,400
And the more that you stay
consistent with that style,

375
00:16:10,400 --> 00:16:12,227
the more it becomes your style,

376
00:16:12,227 --> 00:16:15,192
and people start to pick
up on shots that you take

377
00:16:15,192 --> 00:16:16,371
without even knowing you took them

378
00:16:16,371 --> 00:16:18,284
because they say, hey, that looks a lot

379
00:16:18,284 --> 00:16:20,356
like how Pete's photos look.

380
00:16:20,356 --> 00:16:22,143
That's very Peter McKinnon.

381
00:16:22,143 --> 00:16:24,826
And it's really cool to start
seeing your own style develop,

382
00:16:24,826 --> 00:16:26,982
so, if this isn't your cup of tea,

383
00:16:26,982 --> 00:16:28,442
there's no worries with that,

384
00:16:28,442 --> 00:16:30,309
you can play around
with all those settings,

385
00:16:30,309 --> 00:16:32,264
kind of follow the same basic steps,

386
00:16:32,264 --> 00:16:33,526
and come up with something yourself

387
00:16:33,526 --> 00:16:36,180
that looks pretty similar or
looks completely different.

388
00:16:36,180 --> 00:16:37,805
Everything's okay.

389
00:16:37,805 --> 00:16:41,460
But we went from this,
to this, and I'd say

390
00:16:41,460 --> 00:16:44,587
that's a pretty nifty little
edit in not much time.

391
00:16:44,587 --> 00:16:46,820
So that's it guys, thank
you so much for watching,

392
00:16:46,820 --> 00:16:47,920
I really appreciate it.

393
00:16:47,920 --> 00:16:50,195
If you like this video,
hit that like button,

394
00:16:50,195 --> 00:16:51,940
drop me a comment below, let
me know what you thought.

395
00:16:51,940 --> 00:16:55,115
I love hearing from you
guys and interacting.

396
00:16:55,115 --> 00:16:57,721
And I'll see you in the next
tutorial, or the next vlog,

397
00:16:57,721 --> 00:16:58,855
whichever comes first.

398
00:16:58,855 --> 00:17:01,438
(upbeat music)

standard: es

0:00:00.096,0:00:01.117
¿Qué hay todos?

0:00:01.117,0:00:03.025
Aquí Peter McKinnon y hoy,

0:00:03.025,0:00:05.750
estamos hablando de cómo hacer que tus fotos se vean mejor.

0:00:05.750,0:00:06.966
Rápido.

0:00:06.966,0:00:09.633
(música intensa)

0:00:12.249,0:00:13.636
Okey, entonces, ya saben cuando llegan a casa de algún lado,

0:00:13.636,0:00:15.951
han estado tomando fotos, capaz unas vacaciones, capaz un paseo

0:00:15.951,0:00:18.554
pasando con tus amigos y subes esa foto

0:00:18.554,0:00:19.856
a tu computadora y estás como que,

0:00:19.856,0:00:20.752
(suspiro)

0:00:20.752,0:00:22.539
¡esto se ve tan bien!

0:00:22.539,0:00:25.177
Lo lanzas a las redes, Facebook, Instagram,

0:00:25.177,0:00:27.777
la gente está dándole doble tap a tu IG, los corazones fluyen

0:00:27.777,0:00:29.610
y justo te estas sintiendo bien de ti mismo

0:00:29.610,0:00:32.539
mientras que el sol empieza a bajar y todo es simplemente hermoso.

0:00:32.539,0:00:34.285
Y de ahí hay ocasiones que llegas a casa

0:00:34.285,0:00:35.706
y abres esa foto en tu computadora

0:00:35.706,0:00:38.596
y estás como que (se raya el disco)

0:00:38.596,0:00:42.378
Yo recuerdo que esto estaba mucho mejor cuando estaba ahí, lo prometo.

0:00:42.378,0:00:44.494
Así que estas son algunas habilidades de edición básicas,

0:00:44.494,0:00:47.265
HABILIDADES DE EDICIÓN BÁSICAS, que puedes hacer

0:00:47.265,0:00:50.640
a tus fotos en casa en cualquier momento usando Photoshop.

0:00:50.640,0:00:54.543
Estoy usando Photoshop CC, así que vayan no más a Adobe

0:00:54.543,0:00:56.128
y descárguense esa prueba,

0:00:56.128,0:00:58.524
o apúntense para su servicio basado en suscripción

0:00:58.524,0:01:00.518
que es lo que yo hago, y pagas una mensualidad

0:01:00.518,0:01:02.797
para básicamente tener todas sus aplicaciones,

0:01:02.797,0:01:03.813
eso es lo que yo recomiendo.

0:01:03.813,0:01:07.760
Podemos tomar una foto mundana que se ve así

0:01:07.760,0:01:10.927
y transformarla en algo que se ve así,

0:01:10.927,0:01:13.204
en como 10 minutos, tal vez?

0:01:13.204,0:01:16.091
Incluso más rápido si haces esto a diario como yo.

0:01:16.091,0:01:18.248
Okey, hemos pasado nuestra foto a Photoshop

0:01:18.248,0:01:21.686
y aquí estamos, nos sale el plugin de Cámara RAW

0:01:21.686,0:01:25.062
que salta y dice, esto es un archivo RAW,

0:01:25.062,0:01:25.895
¿qué quieres hacer?

0:01:25.895,0:01:27.338
¿Quieres solo abrir la imagen tal cual?

0:01:27.338,0:01:28.605
¿Quieres adecuarla un poquito aquí

0:01:28.605,0:01:31.246
con Cámara RAW y de ahí abrirla?

0:01:31.246,0:01:32.543
Y aquí es cuando podrías decirme, Pete,

0:01:32.543,0:01:34.224
¿cuál es la diferencia entre editar

0:01:34.224,0:01:36.745
y hacer en Lightroom todo lo que estás por enseñarme

0:01:36.745,0:01:39.226
en vez de usar Lightroom y Photoshop,

0:01:39.226,0:01:41.626
¿o usar Cámara RAW y Photoshop?

0:01:41.626,0:01:43.373
Sí, pueden hacer todo en Lightroom.

0:01:43.373,0:01:44.796
Pueden hacer todo en Photoshop.

0:01:44.796,0:01:48.090
Todo se trata del flujo de trabajo, qué programas te gustan más.

0:01:48.090,0:01:49.268
A mi me gusta usar ambos.

0:01:49.268,0:01:51.786
Photoshop es más como un manipulador de foto

0:01:51.786,0:01:54.834
donde pueden: No me gusta la cara de ese tipo!

0:01:54.834,0:01:57.597
Voy a poner su cara en su cara.

0:01:57.597,0:01:59.952
Genial para ese tipo de cosas

0:01:59.952,0:02:02.397
Pero me gusta usar ambos en conjunto

0:02:02.397,0:02:04.674
y voy a enseñarte cómo lo hago justo aquí.

0:02:04.674,0:02:07.529
No toma mucho tiempo así que no te pongas nervioso, o como que

0:02:07.529,0:02:11.313
esto es intenso. Es intenso si no pones atención.

0:02:11.313,0:02:14.968
Pero no, vamos a volar sobre esto. Así que Cámara RAW.

0:02:14.968,0:02:17.818
Solo voy a retocar la exposición, subir el contraste

0:02:17.818,0:02:20.377
un poco, reflejos, verán la montaña

0:02:20.377,0:02:23.543
ahí en la cima si jalo totalmente a la derecha,

0:02:23.543,0:02:25.780
se queman, si lo traigo totalmente para abajo,

0:02:25.780,0:02:29.084
es un poco oscuro, pero estoy feliz como que justo, justo,

0:02:29.084,0:02:32.135
justo, un poquito al sur del centro.

0:02:32.135,0:02:34.490
Sombras, estoy bien, en verdad pueden ver que solo

0:02:34.490,0:02:37.056
afecta a la camiseta si lo subimos hasta arriba,

0:02:37.056,0:02:39.537
pero no quiero que sea tan brillante.

0:02:39.537,0:02:41.769
Se ve un poco raro,

0:02:41.769,0:02:43.963
un poquito incómodo si os complace.

0:02:43.963,0:02:48.675
Los subiré hasta unos 25, nos topamos en el medio.

0:02:48.675,0:02:50.177
Los blancos, estoy contento con los blancos,

0:02:50.177,0:02:53.752
los negros están bien, siempre me gusta retocar la claridad

0:02:53.752,0:02:56.238
un poco por que simplemente les da definición a eso bordes

0:02:56.238,0:02:58.312
y realmente da buen detalle a la imagen

0:02:58.312,0:03:00.060
directamente en Photoshop.

0:03:00.060,0:03:01.930
Subiremos un poco la intensidad,

0:03:01.930,0:03:03.477
un poco más de saturación.

0:03:03.477,0:03:06.078
Y de ahí, debido a esos ajustes de claridad que hicimos,

0:03:06.078,0:03:07.585
que a veces oscurece a la imagen,

0:03:07.585,0:03:11.340
así que quieren regresar y solo subir esa exposición

0:03:11.340,0:03:15.113
un poco y de ahí vamos a darle a Abrir Imagen.

0:03:15.113,0:03:19.301
Okey, aquí estamos, lo primero que usualmente hago con una foto

0:03:19.301,0:03:22.547
es limpiar cualquier polvo en la camisa de alguien

0:03:22.547,0:03:26.003
o si tienen mala piel normalmente le doy una pasada

0:03:26.003,0:03:29.791
con una herramienta como esta de sanado,

0:03:29.791,0:03:30.889
ese tipo de cosas.

0:03:30.889,0:03:34.883
Y si viste mi tutorial de cómo hacer flotar a las cosas

0:03:34.883,0:03:38.129
en tus fotos, esta es la misma herramienta que estoy usando,

0:03:38.129,0:03:41.016
y solo estoy haciendo clic para eliminar cualquier polvo

0:03:41.016,0:03:43.500
o mota, es esta herramienta aquí a la izquierda

0:03:43.500,0:03:45.699
justo debajo del selector de color.

0:03:45.699,0:03:49.399
Y simplemente, mira, haces clic y se fue,

0:03:49.399,0:03:51.595
así que limpias cualquier mancha

0:03:51.595,0:03:54.886
que quieras ajustar con esta herramienta.

0:03:54.886,0:03:57.008
Ahora, si haces un clic muy grande,

0:03:57.008,0:03:59.610
digamos que hago que mi tamaño de brocha sea enorme y hago clic,

0:03:59.610,0:04:01.965
claramente puedes ver el delineado del círculo.

0:04:01.965,0:04:03.509
Así que no quieres hacer eso.

0:04:03.509,0:04:05.632
Si quisieras deshacerte de este pequeña marca roja de aquí,

0:04:05.632,0:04:07.459
estarías mejor dándole a la S,

0:04:07.459,0:04:08.841
que te da la estampa de clonado,

0:04:08.841,0:04:12.381
mantén oprimido Opción, selecciona el área que quiere clonar

0:04:12.381,0:04:15.554
y de ahí hace clic para clonar esa área.

0:04:15.554,0:04:17.669
Y estoy feliz con eso basicamente.

0:04:17.669,0:04:21.836
Tiene buena piel así que estoy listo para avanzar.

0:04:23.165,0:04:25.568
Ahora, con Photoshop, nunca quiere solo editar

0:04:25.568,0:04:28.547
la capa de abajo y emplastar capa

0:04:28.547,0:04:32.714
y capa sobre capa, pasa una hora, devoraste una pizza entera

0:04:33.907,0:04:35.453
y ahí te das cuenta, oh

0:04:35.453,0:04:36.834
sus ojos están un poco oscuros,

0:04:36.834,0:04:38.173
voy a regresar y cambiar eso.

0:04:38.173,0:04:40.863
Y estás como que Oops, muy tarde, aplanaste la imagen

0:04:40.863,0:04:45.825
y emplastaste esas ediciones a la foto hace 38 minutos.

0:04:45.825,0:04:47.329
No hay vuelta atrás.

0:04:47.329,0:04:49.443
Pero si haces todo en capas,

0:04:49.443,0:04:52.693
siempre puede borrar la capa, regresar, eliminar lo que hiciste,

0:04:52.693,0:04:55.168
retocar esa capa de ajustes, cambiar los colores,

0:04:55.168,0:04:57.808
así que quieres siempre trabajar en capas.

0:04:57.808,0:05:00.254
Ahora, yo no solo duplico el fondo,

0:05:00.254,0:05:02.569
yo Shift + Opción + Commando + N

0:05:02.569,0:05:03.746
esto va a darte una nueva capa.

0:05:03.746,0:05:07.558
Y luego lo que hago es estampar capa visible encima de eso.

0:05:07.558,0:05:08.941
Esto suena loco, verdad?

0:05:08.941,0:05:12.030
Pero espera, Shift + Opcón + Commando +E

0:05:12.030,0:05:14.423
pega esa imagen a la nueva capa que acabamos de hacer

0:05:14.423,0:05:16.820
en vez de simplemente duplicar la capa.

0:05:16.820,0:05:18.242
Si he hecho un montón de ediciones a una capa

0:05:18.242,0:05:20.637
y luego la duplico, también van a duplicarse esas

0:05:20.637,0:05:23.730
ediciones, no quiero eso. Solo quiero un comienzo limpio

0:05:23.730,0:05:26.497
para poder manipular eso y luego mezclar todo junto.

0:05:26.497,0:05:28.772
Si eso no hace sentido, retrocede, velo.

0:05:28.772,0:05:30.948
Si tu retrocediste y viste y aún así no hace sentido,

0:05:30.948,0:05:34.198
hazte un shot, regresa, hará sentido.

0:05:35.062,0:05:37.619
Okey, voy a empezar dándole nitidez a la imagen,

0:05:37.619,0:05:40.829
Y empiezo primero haciendo borrosa a la imagen

0:05:40.829,0:05:43.795
suena contraproducente, sí, pero es por esto.

0:05:43.795,0:05:47.946
Vas a ir a Filtro, Desenfoque, Desenfoque Guassiano

0:05:47.946,0:05:50.870
Lo tengo puesto en 5, así que pon tu radio en 5

0:05:50.870,0:05:53.881
dale OK, cambia el modo de fusión aquí abajo

0:05:53.881,0:05:56.872
en tu panel de capas a Luz Suave.

0:05:56.872,0:05:57.705
Woo!

0:05:57.705,0:06:00.952
Mira eso, se ve cálido, se ve con más fuerza,

0:06:00.952,0:06:04.129
desde ya se ve más cool, pero, lo sé, está borroso.

0:06:04.129,0:06:07.060
Estás sentado ahí diciendo, por qué arruinaría una imagen

0:06:07.060,0:06:08.576
para intentar hacerla mejor?

0:06:08.576,0:06:11.429
A veces tienes que dejar libre para,

0:06:11.429,0:06:12.284
cómo es este dicho?

0:06:12.284,0:06:15.255
¿Tienes que soltar algo para que regrese?

0:06:15.255,0:06:17.335
¿O si lo amas déjalo libre?

0:06:17.335,0:06:19.102
¿Sabes qué? No importa.

0:06:19.102,0:06:23.102
Cambia la opacidad a 50%, dale Enter, okey.

0:06:24.719,0:06:26.998
Ahora, si usamos ese pequeño ojo,

0:06:26.998,0:06:29.595
visible e invisible, ahora pueden ver

0:06:29.595,0:06:32.646
cómo ha calentado su piel, como que le agregó un brillo,

0:06:32.646,0:06:35.229
este lindo, suave aspecto.

0:06:36.228,0:06:39.076
Calmante, reconfortante, si te parece.

0:06:39.076,0:06:42.247
Y podemos ver eso solo prendiendo y apagando el ojo.

0:06:42.247,0:06:44.078
Ahora es cuando vamos a darle nitidez

0:06:44.078,0:06:46.433
Así que de nuevo voy a Shift + Opción + Commando + N

0:06:46.433,0:06:48.546
para una nueva capa, Shift + Commando + E

0:06:48.546,0:06:51.227
para estampar esa capa a la cima.

0:06:51.227,0:06:52.935
Y voy a desaturar esto,

0:06:52.935,0:06:55.411
por que no quiero afectar a los colores

0:06:55.411,0:06:56.915
cuando le de nitidez, solo quiero afectar

0:06:56.915,0:06:59.240
la luminosidad y oscuridad mientras le estoy dando nitidez.

0:06:59.240,0:07:03.407
Así que Shift + Commando + U va a quitar todo el color,

0:07:04.279,0:07:07.203
adiós, cambia el modo de fusión a Superponer,

0:07:07.203,0:07:09.533
vas a ponerte, Oh por Dios, Pete, qué?

0:07:09.533,0:07:11.363
Esto se ve como una escena de El Cuervo.

0:07:11.363,0:07:13.284
¿Qué son estas tonterías?

0:07:13.284,0:07:16.839
Quédate conmigo, sube a Filtro, Otros,

0:07:16.839,0:07:20.373
vamos a darle un Paso Alto, ¿qué acaba de pasar?

0:07:20.373,0:07:23.837
Lo sé, es magia, verán es que ese filtro raro tipo cuervo

0:07:23.837,0:07:27.008
solo desapareció y ahora tenemos algo que se ve

0:07:27.008,0:07:29.910
un poco más nítido, le vas a dar OK.

0:07:29.910,0:07:31.620
Hagamos zoom a su cara

0:07:31.620,0:07:33.216
y mira lo que pasó.

0:07:33.216,0:07:37.573
Si escondemos eso, está borroso, lo hacemos visible, está nítido.

0:07:37.573,0:07:40.253
Ahora, si hacemos visible eso y esto,

0:07:40.253,0:07:43.744
verás que no solo los colores han sido

0:07:43.744,0:07:45.610
mejorados un poco en saturación,

0:07:45.610,0:07:49.512
pero esa piel está linda y suave y ahora está nítida.

0:07:49.512,0:07:53.536
Y hacemos zoom afuera y maldita sea, se está viendo muy bien!

0:07:53.536,0:07:55.688
Si quieres duplicar esos efectos,

0:07:55.688,0:07:57.681
si quieres decir, sabes qué?

0:07:57.681,0:07:59.712
Me vendría bien un poco más de esa nitidez, Pete.

0:07:59.712,0:08:03.090
O me gustaría que la piel se vea un poco más soñadora,

0:08:03.090,0:08:06.059
oprime Commando, selecciona ambas de esas capas,

0:08:06.059,0:08:08.412
llévalas a abajo a esta pestaña de Capa Nueva

0:08:08.412,0:08:11.055
y eso va a duplicar a esas capas

0:08:11.055,0:08:12.761
con todos los efectos.

0:08:12.761,0:08:13.945
Ahora, eso está muy fuerte para mi,

0:08:13.945,0:08:16.449
así que mientras esas dos capas todavía están,

0:08:16.449,0:08:17.853
mientras todavía están seleccionadas,

0:08:17.853,0:08:20.944


0:08:20.944,0:08:25.185
cambia la opacidad a tu gusto.

0:08:25.185,0:08:26.565
Yo voy a bajar hasta unos 20,

0:08:26.565,0:08:29.652
quiero evitar sobre exagerar

0:08:29.652,0:08:30.790
duplicando esos efectos,

0:08:30.790,0:08:34.957
pero justo lo suficiente como para que me de un poquito más.

0:08:35.862,0:08:37.773
Okey ¿ahora qué hacemos Pete?

0:08:37.773,0:08:40.051
Pues, le vendría bien un poco de calidez,

0:08:40.051,0:08:42.327
no es invierno en esta foto

0:08:42.327,0:08:44.035
pero se ve un poco fría.

0:08:44.035,0:08:45.991
Así que vamos a abrigar esta foto,

0:08:45.991,0:08:48.880
y vamos a hacer eso... lo adivinaste,

0:08:48.880,0:08:52.249
Shift + Opción + Commando + N, nueva capa

0:08:52.249,0:08:54.777
y de ahí vamos a Shift + Eliminar,

0:08:54.777,0:08:58.156
eso va a hacer que salga la caja de contenidos.

0:08:58.156,0:09:01.003
Y vas a darle a Color en Contenidos,

0:09:01.003,0:09:03.237
lo cual hará que se habrá el selector de colores.

0:09:03.237,0:09:06.403
Tengo seleccionado naranja, ahí está el código hexadecimal

0:09:06.403,0:09:09.657
si quieren ver eso, F57900,

0:09:09.657,0:09:11.281
pueden escribir eso en ese mismo puesto

0:09:11.281,0:09:13.479
y les dará el mismo naranja que estoy usando.

0:09:13.479,0:09:15.837
Pero todo depende de la foto que estés editando,

0:09:15.837,0:09:18.195
así que no importa.

0:09:18.195,0:09:22.362
Dale OK, OK de nuevo y ahí lo tienes, se ve hermoso.

0:09:24.382,0:09:29.139
Una linda, sólida, foto con apariencia de calabaza, totalmente naranja.

0:09:29.139,0:09:33.306
Cambia ese modo de fusión a Luz Suave.

0:09:34.180,0:09:35.439
Y ahora se ve un poco mejor,

0:09:35.439,0:09:37.234
todavía parece que tiene ictericia

0:09:37.234,0:09:39.483
y que las cosas van mal,

0:09:39.483,0:09:42.530
pero vamos a cambiar la opacidad a unos,

0:09:42.530,0:09:46.105
tal vez 15, diría que 15 es un buen puesto.

0:09:46.105,0:09:49.723
Quizás 13, quería 10 pero luego 15,

0:09:49.723,0:09:53.422
así que 13 en la mitad, me gusta.

0:09:53.422,0:09:54.316
Ahora sí se ve más cálido.

0:09:54.316,0:09:56.913
Así que escondamos todos estos y veamos qué hemos hecho.

0:09:56.913,0:09:58.217
¿Ven que desde ya se está viendo mejor?

0:09:58.217,0:09:59.967
Hagos, oops, mi error.

0:10:01.156,0:10:05.022
Ahora ¿qué si es que quisiera aclarar sus ojos,

0:10:05.022,0:10:07.218
o oscurecer a las montañas del fondo?

0:10:07.218,0:10:08.849
Por que están un poco pálidas,

0:10:08.849,0:10:10.677
o sus ojos se ven un poco oscuros

0:10:10.677,0:10:12.871
por toda la nitidez y saturación

0:10:12.871,0:10:15.103
qué hemos agregado con el enfoque gaussiano.

0:10:15.103,0:10:16.222
Pues así es como vas a hacer eso.

0:10:16.222,0:10:17.405
Vas hacer una nueva capa,

0:10:17.405,0:10:18.872
Shift + Opción + Commando + N,

0:10:18.872,0:10:21.791
van a poner esa imagen ahí

0:10:21.791,0:10:24.921
y vas a coger la herramienta de lazo, sostener Comando,

0:10:24.921,0:10:27.521
darle + en tu teclado, eso va a ampliar.

0:10:27.521,0:10:30.243
Si presionas la barra espaciadora, verás esta pequeña mano

0:10:30.243,0:10:33.133
y puedes usar esa mano para mover la imagen.

0:10:33.133,0:10:35.164
Comando + "+" de nuevo para ampliar

0:10:35.164,0:10:38.244
y vamos a seleccionar solo el iris,

0:10:38.244,0:10:40.886
no quiero hacer muy brillante la parte blanca de los ojos

0:10:40.886,0:10:43.524
por que sino parecerá alguien de The Walking Dead.

0:10:43.524,0:10:45.243
Una vez que hemos seleccionado eso,

0:10:45.243,0:10:46.746
verán esa pequeña selección

0:10:46.746,0:10:48.213
de lo hormigas marchantes,

0:10:48.213,0:10:50.248
eso significa que esta área está seleccionada.

0:10:50.248,0:10:53.224
Sostienes Shift, verás un pequeño + salir

0:10:53.224,0:10:56.922
al lado del lazo.

0:10:56.922,0:10:57.755


0:10:58.834,0:11:02.696
Selecciona el otro ojo cuidando de no meterte mucho

0:11:02.696,0:11:05.101
en la piel, pero está bien,

0:11:05.101,0:11:08.022
ahora tenemos ambos ojos seleccionados.

0:11:08.022,0:11:09.161
Vas a venir a acá abajo

0:11:09.161,0:11:12.127
y hacer una nueva capa de ajustes

0:11:12.127,0:11:14.322
con brillo y contraste

0:11:14.322,0:11:16.924
Clic en eso, si ahora subimos el brillo

0:11:16.924,0:11:19.363
verán que solo los ojos se hacen más brillantes.

0:11:19.363,0:11:23.631
Eso es terrorífico, eso parece un zombie,

0:11:23.631,0:11:26.437
hacemos zoom out. A no ser que,

0:11:26.437,0:11:28.974
si esa es su intención, están listos.

0:11:28.974,0:11:33.777
Pero no aquí. Vamos a subir eso un poco,

0:11:33.777,0:11:34.994
no quiero que sea demasiado obvio.

0:11:34.994,0:11:37.961
Si abrillantas los ojos demasiado,

0:11:37.961,0:11:39.879
la gente lo sabe y se ve mal.

0:11:39.879,0:11:42.076


0:11:42.076,0:11:43.743
No queremos eso, queremos que sea sutil.

0:11:43.743,0:11:46.866
Mientras más ediciones sutiles le hagamos,

0:11:46.866,0:11:48.658
se va a terminar viendo mejor al final.

0:11:48.658,0:11:52.033
Así que vamos a subir eso un poco, justo ahí está bien,

0:11:52.033,0:11:55.159
24 para mi, estoy bien con eso.

0:11:55.159,0:11:57.763
Ahora vamos a hacer otra capa de nuevo,

0:11:57.763,0:11:59.635
y lo que voy a hacer con esta capa

0:11:59.635,0:12:01.997
es oscurecer esos montes en el fondo.

0:12:01.997,0:12:03.781
Misma cosa, Shift + Opción + Comando + N

0:12:03.781,0:12:05.445
Shift + Opción + Commando + E,

0:12:05.445,0:12:06.828
siento que debo seguir diciendo eso

0:12:06.828,0:12:09.549
en caso de que la gente se despiste,

0:12:09.549,0:12:12.925
así que me disculpo y acabo de disculparme

0:12:12.925,0:12:15.526
parcialmente por que soy canadiense y parcialmente por que me siento mal.

0:12:15.526,0:12:18.989
Pero sigamos.

0:12:18.989,0:12:21.724
Lo que vas a hacer es, de nuevo, con la herramienta de lazo,

0:12:21.724,0:12:24.736
vas dibujar una línea a lo largo de la orilla,

0:12:24.736,0:12:28.569
sobre su cabeza, los árboles, justo así,

0:12:29.612,0:12:33.065
subimos por el borde de la foto, para arriba

0:12:33.065,0:12:36.765
y cruzamos al lado izquierdo, bajamos, justo ahí.

0:12:36.765,0:12:39.165
Feliz con eso, ya tenemos nuestra selección.

0:12:39.165,0:12:42.783
Misma cosa, capa de ajustes, ahora Curvas.

0:12:42.783,0:12:45.018
Vamos a usar esta curva,

0:12:45.018,0:12:49.489
vamos a bajar esa luminosidad.

0:12:49.489,0:12:51.722
Y vamos a presionarlo aquí más.

0:12:51.722,0:12:54.084
Hemos hablado de hacer esa curva en S al usar Curvas,

0:12:54.084,0:12:56.646
pero ahorita solo quiero oscurecerle.

0:12:56.646,0:12:59.285
Pero al hacerlo, acaba de hacerse muy azul.

0:12:59.285,0:13:01.117
Y como dije, estamos tratando de deshacernos de que

0:13:01.117,0:13:02.012
se sienta como invierno,

0:13:02.012,0:13:04.135
por que es en la mitad del verano en esta foto

0:13:04.135,0:13:07.220
así que podemos cambiar de RGB al canal rojo

0:13:07.220,0:13:09.700
y subimos los rojos ahí.

0:13:09.700,0:13:12.078
No queremos que se vea como Marte.

0:13:12.078,0:13:16.918
Así que vamos a ajustar eso un poco, solo un poco.

0:13:16.918,0:13:19.193
Estoy feliz con eso, está un poco morado,

0:13:19.193,0:13:20.411
está bien por ahí.

0:13:20.411,0:13:21.756
De nuevo, estoy tratando de ser sutil.

0:13:21.756,0:13:23.265
Vamos a cerrar eso.

0:13:23.265,0:13:24.687
Como es una capa de ajuste,

0:13:24.687,0:13:27.694
podemos presionar B para la herramienta de brocha

0:13:27.694,0:13:30.075
la hacemos un poco más pequeña

0:13:30.075,0:13:34.338
y luego podemos pintar y borrar esa línea.

0:13:34.338,0:13:36.575
Vamos a pintar solo sobre el borde

0:13:36.575,0:13:38.078
y eliminar esa línea fuerte

0:13:38.078,0:13:40.637
por que no se ve bien.

0:13:40.637,0:13:42.177
De ahí voy a bajar la opacidad

0:13:42.177,0:13:45.299
de todo esto a unos 60.

0:13:45.299,0:13:48.351
Si escondemos esa capa, verán lo que pasó,

0:13:48.351,0:13:51.722
básicamente bajó el brillo y contraste

0:13:51.722,0:13:54.809
en la cima de las montañas y como que están más nítidas

0:13:54.809,0:13:57.340
Se habían peridod

0:13:57.340,0:13:59.330
y quería traerlas un poco más en enfoque

0:13:59.330,0:14:03.030
y eso se consigue básicamente haciendo eso.

0:14:03.030,0:14:05.098
La última cosa que puedes hacer

0:14:05.098,0:14:07.287
es Shift + Opción + Comando + N,

0:14:07.287,0:14:08.994
Shift + Opción + Comando + E,

0:14:08.994,0:14:11.314
y puedes desaturar esto de nuevo

0:14:11.314,0:14:13.512
y esto es solo si quieres un poco más de contraste

0:14:13.512,0:14:16.357
y sentimiento en esta foto, lo cual me gusta hacer en mis tomas.

0:14:16.357,0:14:20.113
Lo desaturamos con Shift + Comando + U,

0:14:20.113,0:14:22.793
voy a cambiar el modo de fusión a Superponer

0:14:22.793,0:14:25.514
como hicimos antes de poner el filtro de pase alto,

0:14:25.514,0:14:27.548
pero ahora voy a bajar la opacidad

0:14:27.548,0:14:30.876
a unos, no sé, 15.

0:14:30.876,0:14:32.295
¿Ven lo que eso hace?

0:14:32.295,0:14:35.865
Le da un poco más de actitud, estoy contento con esto.

0:14:35.865,0:14:40.032
Podría venirle bien un pequeño ajuste en el brillo.

0:14:41.064,0:14:44.153
Así que lo último, esta es la última capa

0:14:44.153,0:14:48.255
que vamos a agregar, voy a agregar una capa de ajuste

0:14:48.255,0:14:52.374
para Curvas, y solo voy a tomar la parte de abajo

0:14:52.374,0:14:55.466
y subir esas curvas solo un poco.

0:14:55.466,0:14:57.299
Un poquitito,

0:14:58.389,0:15:01.431
ninguna gran cosa, ahí está.

0:15:01.431,0:15:02.854
Voy a seleccionar esa capa de arriba,

0:15:02.854,0:15:04.437
voy a presionar Shift

0:15:04.437,0:15:05.901
selecciono la capa de más abajo

0:15:05.901,0:15:07.098
justo encima del fondo

0:15:07.098,0:15:08.726
y voy a darle a Comando + G,

0:15:08.726,0:15:10.999
eso va a agrupar todas nuestras ediciones,

0:15:10.999,0:15:13.356
podemos hacer doble clic en eso y llamarlo Ediciones.

0:15:13.356,0:15:15.511
Y ahora podemos ver esta foto,

0:15:15.511,0:15:18.973
si ocultamos esta capa, con eso empezamos

0:15:18.973,0:15:21.613
después de ajustarla con el plugin de Cámara RAW

0:15:21.613,0:15:23.291
al comienzo,

0:15:23.291,0:15:24.832
ahora se ve así.

0:15:24.832,0:15:28.121
Solo por dar el ejemplo voy a aplanar esta imagen

0:15:28.121,0:15:31.330
y voy a traer esta de nuevo

0:15:31.330,0:15:33.202
para que la vean, pero voy a resetear,

0:15:33.202,0:15:34.988
regresaremos a los predeterminados,

0:15:34.988,0:15:38.159
a como se veía y abriré la imagen.

0:15:38.159,0:15:41.212
La copiaré, cerrar esa ventana,

0:15:41.212,0:15:43.003
voy a pegarla sobre esto.

0:15:43.003,0:15:45.847
Y esa es una representación muy exacta

0:15:45.847,0:15:49.058
de cómo la foto se veía al salir de la cámara

0:15:49.058,0:15:53.240
y cómo se ve ahora que hemos aplicado nuestras ediciones.

0:15:53.240,0:15:55.516
Una vez más, esto es todo preferencia personal.

0:15:55.516,0:15:57.914
Tal vez no te guste tus fotos con tanto contraste

0:15:57.914,0:16:00.880
y tan saturada, o que resalte tanto como esto,

0:16:00.880,0:16:03.155
y esa es la belleza de ser fotógrafos

0:16:03.155,0:16:05.640
y artistas y editar. Puede hacer que se vea

0:16:05.640,0:16:07.554
como tu quieres que se vea.

0:16:07.554,0:16:10.400
Y mientras más constante te quedes en ese esilo,

0:16:10.400,0:16:12.227
más se convierte en tu estilo

0:16:12.227,0:16:15.192
y la gente va a empezar a escoger tus tomas

0:16:15.192,0:16:16.371
sin si quiera saber que tu las tomaste

0:16:16.371,0:16:18.284
por que ellos dicen, eso se ve bastante

0:16:18.284,0:16:20.356
como las fotos de Pete.

0:16:20.356,0:16:22.143
Eso es muy Peter McKinnon.

0:16:22.143,0:16:24.826
Y es muy chévere empezar a ver tu propio estilo desarrollándose

0:16:24.826,0:16:26.982
así que, si esto no es de tu gusto,

0:16:26.982,0:16:28.442
no hay problema con eso,

0:16:28.442,0:16:30.309
puedes jugar con todos esos ajustes,

0:16:30.309,0:16:32.264
medio que seguir los pasos básicos,

0:16:32.264,0:16:33.526
y salir con algo tuyo

0:16:33.526,0:16:36.180
que se ve muy similar o completamente diferente.

0:16:36.180,0:16:37.805
Todo está bien

0:16:37.805,0:16:41.460
Pero fuimos de esto a esto y diría que

0:16:41.460,0:16:44.587
es una edición bastante buena en poco tiempo.

0:16:44.587,0:16:46.820
así que eso es todo chicos, muchas gracias por ver,

0:16:46.820,0:16:47.920
lo aprecio mucho.

0:16:47.920,0:16:50.195
Si te gusta este video, dale un Me Gusta,

0:16:50.195,0:16:51.940
deja un comentario abajo, déjame saber qué pensaste.

0:16:51.940,0:16:55.115
Me encanta saber de ustedes e interactuar.

0:16:55.115,0:16:57.721
Y los veré en el siguiente tutorial o siguiente vlog

0:16:57.721,0:16:58.855
el que venga primero.

0:16:58.855,0:17:01.438


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