Audible observatories are points of sensory convergence.  They are nodes where worlds perceived through the senses intersect and begin the labour of transforming independent events into knowable and meaningful claims.  They speak and they are spoken to.  Audible Observatories brings together works that draw attention to both the situation and the agency of the observer.

The curators for Audible Observatories make a playful connection between research-based art and place-bound exhibition in order to animate a curatorial vision that foregrounds audio-centric art works within a broader rubric of site-specificity. We conceptualize the audible observatory as either a mobile or a stationary site of perception that is sensible to others just as it is a place from which sensing the world happens.  The relationship between listening and being heard is central to the audible observatory; it is meant to be a relentlessly self-reflexive site of communication in which location-specificity is central in its aesthetic.

Created 2018-08-21 11:49:34. Most recent update 2018-08-21 11:49:34 AM.

Media Files

Contributors

Curator: Craig Campbell

[Bio c. 2017] Craig Campbell is Associate Professor of Anthropology at the University of Texas, Austin. He received his PhD in Sociology (Theory and Culture) from the University of Alberta in 2009. He is actively involved in producing works that span the range of expository writing, art exhibition, and curation. These function as companion works to a thematic interest in archives, photography, documents, and the anxious territory of actuality. Craig Campbell’s ethnographic, historical, and regional interests include: Siberia, Central Siberia, Indigenous Siberians, Evenki, Evenkiia, Reindeer hunting and herding, Travel and mobility, Socialist colonialism, early forms of Sovietization, and the circumpolar...

Artworks

Aural Archive

If our identity is constructed through our past and our memories of it, the photo albums that we collect act as evidence of the life...

stolen synthesis, no. 5

Drawing from theories and positions within critical race and ethnic studies, critical pedagogy, and sound studies, my work is situated in a critical and conceptual...

I am Standing in a Field

I Am Standing in a Field is a reworking, a cover, of Alvin Lucier’s iconic 1969 composition, I Am Sitting in a Room. In Lucier’s...

Bridge

A study of three similar but distinct microcultures: the Manhattan Bridge, Brooklyn Bridge and Williamsburg Bridge. Interrogated through the use of contact microphones, the physical...

Sintiendo el Tejido / Sensing the Woven

Our current system of supply chain capitalism often creates a disconnect between the consumption and production of objects. Consumers do not readily associate objects of...

Everywhere is Nowhere

Everywhere Is Nowhere is the result of over 2 years of ethnographic fieldwork in the rural hinterlands of Saskatchewan, North Dakota, Wyoming, and South Dakota....

Her Noise Archive, Symbol of Democracy or Communist Uprising?

Her Noise Archive, Symbol of Democracy or Communist Uprising?, is a short video work created in response to the Her Noise Archive; an archive of...

Ears Are Dazzled

Created during a 70-day artist-in-residence period at the Akiyoshidai International Arts Village, Ears Are Dazzled is a collective exploration of sonic experience. Inspired by research...

Gut Sounds Lullaby

“Gut Sounds” is a term with significant resonances in American ass husbandry. Listening for gut sounds, or gut motility, is one of the first and...

Siren

Siren is an evocative and ephemeral sound installation that temporarily transforms its immediate environment. Disembodied voices travel into a flood of sound and harmony, reaching...

Air Pressure

Air Pressure is a collaboration between anthropologist Rupert Cox, sound artist Angus Carlyle, and the acoustic scientist Kozo Hiramatsu. The sound-film ‘Ki-atsu: the sound of...

Sheaf of Times

With Sheaf of Times, Dib and Meza delve into the foreign world of plants. Using both contact microphones and open-air microphones, they create lofty and...

Waking in Nima

Everyone experiences waking. But what difference does it make to wake in different places, singly, or repeatedly, and to wake to different sounds? Through years...

‘Open Doors’ Project: The Lost Anthropological Archives of 2012

I wish behind was left more Ohlone. I cringe hearing ‘the last Mutsun speaking…’ arriving too late swimming upstream not fast enough can’t make up...

Lives of Other Citizens

Imagine if you could enter into other people’s heads and find out what they are thinking: the person sitting next to you on the bus;...

Power and Ground

Sound is invisible, sculptural, and malleable, able to take on infinite combinations of textures, timbres, shapes, and forms. In my work with sound I’m interested...

When They Give Their Word, Their Word is Bond

A bucolic garden in San Francisco, a small mosque in North Oakland, and storefront windows in San Francisco’s Tenderloin are brought together to bring “The...

Receiving the World

Wolfgang Lehrner is a traveller. Portugal, the UK, Bulgaria, Albania, Turkey, Georgia, USA, Nicaragua, Costa Rica, Panama, Cuba, Mexico, Jamaica … He calls Vienna his...

Radio Transmission Ark

Radio Transmission Ark is an Internet-based sound art platform created to encourage explorations in locality and self-representation as well as potentials for broadcast art. Coordinated...

San Fran-Man

Today much of our communication occurs virtually and globally; where once we conversed face-to-face. Can an examination of our cyber interaction offer up any insight...

Listening to a Sense of Place

Using sound as a catalyst and form of ethnography, storytelling, and expression we invite you to listen to the sounds of the Broughton Archipelago, an...

Anspayaxw

Anspayaxw (Kispiox) is a small reserve in northern British Columbia where I worked with linguist Tyler Peterson and visual artist Denise Hawrysio to record and...

Sub Projects