A bucolic garden in San Francisco, a small mosque in North Oakland, and storefront windows in San Francisco’s Tenderloin are brought together to bring “The Word” to the street. Imam Zaid Shakir is a local African American Muslim scholar who founded the Lighthouse Mosque in North Oakland and is co-founder of Zaytuna College in Berkeley, California. Kashani brings two “performances” together, one a staged portrait where he recites, translates, and provides commentary on his favorite verse in the Qur’an and the second a recording of his khutba (sermon) at the Friday afternoon congregational prayer at the Lighthouse Mosque in Oakland. The Tenderloin is well known amongst Bay Area Muslim populations for its mosques, halal restaurants, markets, and its Arab populations, as well as for its liquor stores, sex work, and drug trade. Recalling the tradition of the street preacher, When They Give Their Word… mediates a space of the social and the devotional, the spiritual and the practical, and the aspirations of an Islamic future and the realities of Muslim everyday life. This installation is part of Kashani’s larger ethnographic project that examines textual practices and genealogies at Zaytuna College and in Bay Area Islam.
The Garden, 9:10 minutes
The Lighthouse, 44:00 minutes
Two-channel video installation
The Garden, 9:10 minutes
The Lighthouse, 44:00 minutes
All rights reserved, Maryam Kashani
[Bio c. 2012] Maryam Kashani was born and raised in San Francisco. She received her MFA in Film/Video from the California Institute of the Arts and is a PhD candidate in Anthropology at the University of Texas in Austin. As a filmmaker she is interested in the realtionships between particular humanities and communities, physical landscapes, and historical processes and change. Her film and video works have been exhibited internationally at film festivals, universities, and museums. [Bio c. in 2009] Maryam Kashani is currently a graduate student in Social Anthropology at the University of Texas, Austin, where she is examining issues...
Audible observatories are points of sensory convergence. They are nodes where worlds perceived through the senses intersect and begin the labour of transforming independent events into knowable and meaningful claims. They speak and they are spoken to. Audible Observatories brings together works that draw attention to both the situation and the agency of the observer. The curators for Audible Observatories make a playful connection between research-based art and place-bound exhibition in order to animate a curatorial vision that foregrounds audio-centric art works within a broader rubric of site-specificity. We conceptualize the audible observatory as either a mobile or a stationary...