30C (Vol. 2)

Transcription

An ENTIRE CHANGE OF PERFORMANCE,

(Being the third since Easter Monday.)

ROYAL GROVE, ASTLEY’s AMPHITHEATRE,

Westminster-Bridge.

THIS present TUEDAY, the 14th of June, 1791, and every Evening till further notice,

Will be presented, the following

ENTERTAINMENTS, &c.

A Comic Dance, called,

THE MISTAKE.

A Grand Entry of Horses,

Equestrian Pedestal, and manoeuvres, by the Horses, &c.

HORSEMANSHIP,

By Mr. MILLER, the original Clown.

A new Musical Piece, called,

THE WITTY WIFE.

LES FORCES D’HERCULE,

Egyptian Pyramids, or, Men piled on Men,

By Ten Capital Performers.

EQUESTRIAN FEATS

By Mr. Crossman, particularly several Leaps over the Bar.

TUMBLING and other EXERCISES,

Mademoiselle Maria Theresa De St. Orbe, (from the South of France) who is supposed to possess the finest Head of Hair ever seen.

An entire New Dance, called

THE THRESHERS.

Principal Characters

By Mons. Marqui, Mr. Crossman, and Mr. Holland,

By particular desire,

A favourite Comic Musical Piece, called,

THE TEMPLE OF PLUTUS;

Or, The Miser Reformed.

HORSEMANSHIP,

By several Capital Performers.

The whole to conclude with a Comic Pantomime,

(Not performed these Three Years) called,

THE MAGIC WORLD.

With new Scenery, Machinery, Dresses, &c. &c.

Harlequin, Mr. Jenkinson; Columbine, Miss Smith.

The Pantomime to conclude with a capital Model of

THE CITY OF PARIS;

Comprising a circumference of near twelve miles, with a number of houses, churches, bridges, &c. the whole forming a most extraordinary piece of workmanship, and taken on the spot,

Doors to open at Half past Five, to begin at Half past Six o’Clock precisely.

Bpxes 3s.—Pit 2s.—Gallery 1s.—Side Gallery 6d. only.

Places for the Boxes to be taken of Mrs. Connell, No. 38, Stangate-street, the Back of the Amphitheatre.

Servants to keep Places at a Quarter past Five.

[star symbol] Ladies and Gentlemen instructed to Ride on Tuesdays, Wednesdays, and Thursdays, from Eight in the Morning till One.

                        Vivant Rex et Regina.

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