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This page compares two reports at the paragraph level. The column on the left shows the first report in its entirety, and the column in the middle identifies paragraphs from the second report with significant matching content. The column on the right highlights any differences between the two matching paragraphs: pink shows differences in the first report and purple in the second report. The Match percentage underneath each comparison row in this column shows the percentage of similarity between the two paragraphs.
Original paragraph in
Dublin Evening Telegraph - Monday, April 29, 1895
Dublin Evening Telegraph - Monday, April 29, 1895
Most similar paragraph from
Bristol Mercury - Saturday, May 4, 1895
Bristol Mercury - Saturday, May 4, 1895
Difference
London, Monday.Mr Justice Charles resumed his hearing of the charges against Oscar Wilde and Alfred Taylor to-day at the Central
Criminal Court. There was again a large attendance of the public. Evidence for the prosecution was continued by the examination of the shorthand writers
who took notes in the Wilde v Marquis of Queensbery case. The Masseur, Mr M Anton Migge, and members of the staff of the Savoy Hotel were then called
against Wilde.
Evidence of arrest of both prisoners was next adduced by the police.
Evidence of the arrest of both prisoners was next adduced by the police.
The Clerk of the Court produced the indictment, Wilde v Queensbery, for libel, in which case the prosecution withdrew.
The Clerk of the Court produced the indictment in the Wilde v. Queensberry action for libel, in which case the prosecution withdrew.
Counsel now argued as to the reading of Wilde’s deposition made as plaintiff.
Finally it was agreed that Mr Gill should read from the beginning of the cross-examination. The publications upon which Wilde had given
answers were "The Chameleon," "Dorian Grey," "The Priest and the Acolyte," and "Phrases and Philosophies for the Young," the answers disclosing not only
how far he identified himself with the principles therein enunciated, but his views generally upon art and morality.