Auckland Star - Thursday, April 4, 1895
This report was originally published in English. Machine translations may be available in other languages.
LIBEL CASE.
WILDE V. QUEENSBURY.
EXTRAORDINARY DISCLOSURES.
London, April 4.
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded with, "You are the most infamous brute in London."
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded with, "You are the most infamous brute in London."
Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded with "You are the most infamous brute in London."
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded, "You are the most infamous brute in London.
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded, "You are the most infamous brute in London."
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensbery visited his residence and threatened Wilde, to which that gentleman responded, "You are the most infamous brute in London."
Oscar Wilde explained the effusive language of the letters addressed to Lord Alfred Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded with, "You are the most infamous brute in London."
Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Mr Wilde, to which that gentleman responded with, "You are the most infamous brute in London."
Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Mr Wilde, to which that gentleman responded with, "You are the most infamous brute in London."
Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Mr Wilde, to which that gentleman responded with, "You are the most infamous brute in London."
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as a natural expression of an artist attracted by a beautiful personality; that the Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded with "you are the most infamous brute in London."
Mr Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as a natural expression of an artist attracted by personalty: that the Marquis of Queensberry visited his residence and threatened Wilde, to which that gentleman responded with "you are the most infamous brute in London."
Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, the latter responding "You are the most infamous brute in London."
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with "You are the most infamous brute in London!"
In the course of his evidence, Oscar Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with "You are the most infamous brute in London!"
In the course of his evidence Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded, "You are the most infamous brute in London!"
In the course of his evidence, Mr. Wilde explained the effusive language of the letters addressed to Lord Alfred Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Alfred Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence, and threatened Wilde, to which the latter responded with—"You are the most infamous brute in London!"
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—
In the course of his evidence, Mr Wilde explained the effusive language of the letters addressed to Lord Douglas as the natural expression of an artist attracted by a beautiful personality. The Marquis of Queensberry visited his residence and threatened Wilde, to which the latter responded with—
Wilde was subjected to a stringent cross-examination with the view of showing that "Dorian Gray," and some articles in a magazine, "Chameleon," with which he is connected, are of an immoral tendency. Wilde insisted that they are merely an expression of the artistic faculty. His letters to Lord. Douglas were prose poems—extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers twenty-one pounds, and lunched with him in a private room afterwards.
Wilde was subjected to a stringent cross-examination with the view of showing that "Dorian Gray," and some articles in a magazine, Chameleon, with which he is connected, are of an immoral tendency. Wilde insisted that they are merely an expression of the artistic faculty. His letters to Lord Douglas were prose poems—extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers twenty-one pounds, and lunched with him in a private room afterwards.
Mr Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon with which he is connected are of an immoral tendency. Mr Wilde insisted that they are merely an expression of the artistic faculty. His letters to Lord Douglas were prose poems, extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers twenty-one pounds and lunched with him in private rooms afterwards.
Mr Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon with which he is connected are of an immoral tendency. Mr Wilde insisted that they are merely an expression of the artistic faculty. His letters to Lord Douglas were prose poems, extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers twenty-one pounds and lunched with him in private rooms afterwards.
Mr Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon with which he is connected are of an immoral tendency. Mr Wildd insisted that they are merely an expression of the artistic faculty. His letters to Lord Douglas were prose poems, extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers twenty-one pounds and lunched with him in private rooms afterwards.
Wilde was subjected to a stringent cross-examination with the view of showing that "Dorian Gray," and some articles in a magazine, the Chameleon, with which he is connected, are of an immoral tendency. Wilde insisted that they are merely an expression of the artistic faculty. His letters to Lord Douglas were prose poems—extraordinary, perhaps, but not justifying an immoral interpretation. He admitted he gave one of his alleged blackmailers £21, and lunched with him in a private room afterwards.
Wilde was subjected to stringent cross-examination with the view of showing that "Dorian Grey" and some articles in the magazine, the Chameleon, with which he is connected, were of an immoral tendency. Wilde insisted that they were merely the expression of an artistic faculty. His letters to Lord Alfred Douglas were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £21 and lunched with him in a private room afterwards.
Wilde was subjected to a stringent cross-examination with a view of showing that "Dorian Grey" and some articles in the magazine Chameleon with which he is connected, are of an immoral tendency. Wilde insisted that they are merely expressions of the artistic faculty. His letters to Lord Douglas were prose poems; extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £25 and lunched with him in a private room afterwards. The case was adjourned and defendant admitted to bail.
Mr Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon, with which he is connected, are of an immoral tendency. Mr Wilde insisted that they are merely an expression of artistic faculty. His letters to Lord Douglas were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £21 and lunched with him in a private room afterwards. The case was adjourned. Defendant was admitted to bail.
Mr Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon, with which he is connected, are of an immoral tendency. Mr Wilde insisted that they are merely an expression of artistic faculty. His letters to Lord Douglas were prose poems, extraordinary perhaps, but not justifying any immoral interpretation. He admitted that he gave one of his alleged blackmailers £21, and lunched with him in a private room afterwards. The case was adjourned. Defendant was admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination, with a view of showing that "Dorian Grey" and some articles in the magazine Chameleon, with which he is connected are of an immoral tendency. Wilde insisted that they are merely the expression of an artistic faculty. His letters to Lord A. Douglas were prose poems, extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers L21, and lunched with him in a private room afterwards. The case has been adjourned. Defendant was admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination, with a view of showing "Dorian Grey" and some articles in the magazine 'Chameleon,' with which he is connected, are of an immoral tendency. Wilde insisted they are merely an expression of artistic faculty. His letters to Lord Douglas were prose poems, extraordinary perhaps, but not justifying immoral interpretation. He admitted he gave one of his alleged blackmailers twenty-one pounds and lunched with him in a private room afterwards. The case was adjourned, the defendant being admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination, with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon, with which he is connected, are of an immoral tendency. Wilde insisted that they are merely the expression of an artistic faculty. His letters to Lord A. Douglas were prose poems, extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged black-mailers L21, and lunched with him in a private room afterwards. The case has been adjourned. Defendant was admitted to bail.
Wilde was subjected to a stringent cross-examination with the view of showing "Dorian Grey" and some articles in the magazine "Chameleon" with which he is connected, are of an immoral tendency. Wilde insisted that they are merely the expression of an artistic faculty. His letters to Douglas were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted he gave one of his alleged blackmailers £21 and lunched with him in a private room afterwards. The case was adjourned, defendant being admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination with a view to showing that 'Dorian Grey' and some articles in the magazine 'Chameleon,' with which he is connected, are of an immoral tendency. He insisted that they are merely expressions of artistic faculty. His letters to Lord Douglas were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £21, and lunched with him in a private room afterwards. The case was adjourned, defendant being admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination, with a view of showing "Dorian Grey" and some articles in the magazine 'Chameleon,' with which he is connected, are of an immoral tendency. Wilde insisted that they are merely an expression of artistic faculty. His letters to Lord Alfred Douglas were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £21 and lunched with him in a private room afterwards. The case was adjourned, the defendant being admitted to bail.
Oscar Wilde was subject to a stringent cross-examination, with the view of showing that "Dorian Grey" and some articles in a magazine with which he is concerned are of an immoral tendency. Wilde insisted that they are merely an expression of artistic faculty. His letters to Douglas were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £21 and lunched with him in a private room afterwards. The case was adjourned. Defendant was admitted to bail.
Oscar Wilde was subjected to a stringent cross examination with the view of showing that "Dorian Grey" and some articles in the Chameleon Magazine with which he is connected are of an immoral tendency. Wilde insisted that they are merely the expression of artistic faculty. His letters to Douglas were prose poems, extraordinary perhaps but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers L21 and lunched with him in a private room afterwards. The case was adjourned and defendant admitted to bail.
At the trial on April 4th, Oscar Wilde was subjected to a stringent cross-examination, with the view of showing the "Dorian Grey' and some other articles in that magazine Chameleon, with which he is connected, are of an immoral tendency. Wilde insisted that they were merely an expression of the artistic faculty. His letters to Douglas were prose poems, extraordinary, perhaps, but not justifying immoral interpretation. He admits he gave one of his alleged blackmailers twenty-one pounds and lunched with him in a private room afterwards. The case was adjourned, defendant being admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Gray" and some articles in the magazine "Chameleon," with which he is connected, are of an immoral tendency. Wilde insisted they are merely expressions of artistic faculty. His letters to Lord Douglas he said were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted he gave one of his alleged black-mailers L21, and lunched with him in a private room afterwards. The case is adjourned. Defendant was admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine "Chameleon," with which he is connected, are of an immoral tendency. Wilde insisted they are merely expressions of artistic faculty. His letters to Lord Douglas he said were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted he gave one of his alleged black-mailers L21, and lunched with him in a private room afterwards. The case is adjourned. Defendant was admitted to bail.
Oscar Wilde was subjected to a stringent cross-examination with a view to showing that "Dorian Grey" and some articles in the magazine Chameleon with which he is connected, are of an immoral tendency. Wilde insisted they are merely expressions of artistic faculty. His letters to Lord Douglas he said were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted he gave one of his alleged black-mailers £21, and lunched with him in a private room afterwards. The case is adjourned. Defendant was admitted to bail.
Mr Wilde was subjected to a stringent cross-examination with a view to showing that "Donan Grey" and some other articles in a magazine called the Chameleon, with which he is connected, are of an immoral tendency. Mr Wilde insisted that they were merely an expression of the artistic faculty. His letters to his daughter were prose poems, extraordinary perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his alleged blackmailers £25, and lunched with him in a private room afterwards. The case was adjourned. The defendant was admitted to bail.
At the trial of the Marquis of Queensbery on the charge of libelling Oscar Wilde, the plaintiff was subjected to a stringent cross-examination with the view of showing that "Dorian Grey," and some articles in the magazine Chameleon, with which he is connected, are of an immoral tendency. Wilde insisted that they were merely an expression of artistic faculty. His letters to Lord Alfred Douglas were prose poems—extraordinary, perhaps, but not justifying an immoral interpretation. He admitted that he gave one of his blackmailers £21, and lunched with him in a private room afterwards.
The case was adjourned, defendant being admitted to bail.
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